17 ideas
18487 | We want to know what makes sentences true, rather than defining 'true' [McFetridge] |
18488 | We normally explain natural events by citing further facts [McFetridge] |
12184 | Logical necessity overrules all other necessities [McFetridge] |
15083 | The fundamental case of logical necessity is the valid conclusion of an inference [McFetridge, by Hale] |
15084 | In the McFetridge view, logical necessity means a consequent must be true if the antecedent is [McFetridge, by Hale] |
12180 | Logical necessity requires that a valid argument be necessary [McFetridge] |
12181 | Traditionally, logical necessity is the strongest, and entails any other necessities [McFetridge] |
12183 | It is only logical necessity if there is absolutely no sense in which it could be false [McFetridge] |
12192 | The mark of logical necessity is deduction from any suppositions whatever [McFetridge] |
12182 | We assert epistemic possibility without commitment to logical possibility [McFetridge] |
12187 | Objectual modal realists believe in possible worlds; non-objectual ones rest it on the actual world [McFetridge] |
12186 | Modal realists hold that necessities and possibilities are part of the totality of facts [McFetridge] |
1757 | The Electra: she knows this man, but not that he is her brother [Eucleides, by Diog. Laertius] |
20327 | Modern attention has moved from the intrinsic properties of art to its relational properties [Lamarque/Olson] |
20326 | Early 20th cent attempts at defining art focused on significant form, intuition, expression, unity [Lamarque/Olson] |
20330 | The dualistic view says works of art are either abstract objects (types), or physical objects [Lamarque/Olson] |
3028 | The chief good is unity, sometimes seen as prudence, or God, or intellect [Eucleides] |