32 ideas
| 20339 | Classes rarely share properties with their members - unlike universals and types [Wollheim] |
| 8361 | What is true used to be possible, but it may no longer be so [Wright,GHv] |
| 22190 | If a theory is more informative it is less probable [Gorham] |
| 22189 | Why abandon a theory if you don't have a better one? [Gorham] |
| 22192 | Is Newton simpler with universal simultaneity, or Einstein simpler without absolute time? [Gorham] |
| 22194 | Structural Realism says mathematical structures persist after theory rejection [Gorham] |
| 22195 | Structural Realists must show the mathematics is both crucial and separate [Gorham] |
| 22197 | Theories aren't just for organising present experience if they concern the past or future [Gorham] |
| 22196 | For most scientists their concepts are not just useful, but are meant to be true and accurate [Gorham] |
| 22193 | Consilience makes the component sciences more likely [Gorham] |
| 20338 | We often treat a type as if it were a sort of token [Wollheim] |
| 20342 | Interpretation is performance for some arts, and critical for all arts [Wollheim] |
| 20343 | A love of nature must precede a love of art [Wollheim] |
| 20348 | A criterion of identity for works of art would be easier than a definition [Wollheim] |
| 20347 | If beauty needs organisation, then totally simple things can't be beautiful [Wollheim] |
| 20345 | Some say art must have verbalisable expression, and others say the opposite! [Wollheim] |
| 20331 | It is claimed that the expressive properties of artworks are non-physical [Wollheim] |
| 20336 | Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim] |
| 20337 | The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim] |
| 20333 | If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim] |
| 20334 | The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim] |
| 20335 | The ideal theory of art neglects both the audience and the medium employed [Wollheim] |
| 20340 | A musical performance has virtually the same features as the piece of music [Wollheim] |
| 20341 | An interpretation adds further properties to the generic piece of music [Wollheim] |
| 20332 | A drawing only represents Napoleon if the artist intended it to [Wollheim] |
| 22198 | Aristotelian physics has circular celestial motion and linear earthly motion [Gorham] |
| 8363 | p is a cause and q an effect (not vice versa) if manipulations of p change q [Wright,GHv] |
| 8364 | We can imagine controlling floods by controlling rain, but not vice versa [Wright,GHv] |
| 8366 | The very notion of a cause depends on agency and action [Wright,GHv] |
| 8362 | We give regularities a causal character by subjecting them to experiment [Wright,GHv] |
| 8360 | We must further analyse conditions for causation, into quantifiers or modal concepts [Wright,GHv] |
| 8365 | Some laws are causal (Ohm's Law), but others are conceptual principles (conservation of energy) [Wright,GHv] |