Combining Philosophers

All the ideas for Geoffrey Gorham, Roger Fry and Jens Zimmermann

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26 ideas

2. Reason / A. Nature of Reason / 5. Objectivity
We take part in objective truth, rather than observe it from a distance [Zimmermann,J]
Hermeneutic knowledge is not objective, but embraces interpretations [Zimmermann,J]
12. Knowledge Sources / B. Perception / 1. Perception
In phenomenology, all perception is 'seeing as' [Zimmermann,J]
14. Science / A. Basis of Science / 6. Falsification
If a theory is more informative it is less probable [Gorham]
Why abandon a theory if you don't have a better one? [Gorham]
14. Science / B. Scientific Theories / 1. Scientific Theory
Is Newton simpler with universal simultaneity, or Einstein simpler without absolute time? [Gorham]
Structural Realism says mathematical structures persist after theory rejection [Gorham]
Structural Realists must show the mathematics is both crucial and separate [Gorham]
14. Science / B. Scientific Theories / 3. Instrumentalism
Theories aren't just for organising present experience if they concern the past or future [Gorham]
For most scientists their concepts are not just useful, but are meant to be true and accurate [Gorham]
14. Science / D. Explanation / 2. Types of Explanation / d. Consilience
Consilience makes the component sciences more likely [Gorham]
16. Persons / C. Self-Awareness / 3. Limits of Introspection
Most of us are too close to our own motives to understand them [Fry]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Imaginative life requires no action, so new kinds of perception and values emerge in art [Fry]
Everyone reveals an aesthetic attitude, looking at something which only exists to be seen [Fry]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
'Beauty' can either mean sensuous charm, or the aesthetic approval of art (which may be ugly) [Fry]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
In life we neglect 'cosmic emotion', but it matters, and art brings it to the fore [Fry]
21. Aesthetics / B. Nature of Art / 2. Art as Form
Art needs a mixture of order and variety in its sensations [Fry]
21. Aesthetics / B. Nature of Art / 3. Art as Imitation
If graphic arts only aim at imitation, their works are only trivial ingenious toys [Fry]
Popular opinion favours realism, yet most people never look closely at anything! [Fry]
21. Aesthetics / B. Nature of Art / 8. The Arts / b. Literature
The hermeneutic circle is between the reader's self-understanding, and the world of the text [Zimmermann,J]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
When viewing art, rather than flowers, we are aware of purpose, and sympathy with its creator [Fry]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
In the cinema the emotions are weaker, but much clearer than in ordinary life [Fry]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
For pure moralists art must promote right action, and not just be harmless [Fry]
25. Social Practice / D. Justice / 2. The Law / c. Natural law
Natural law theorists fear that without morality, law could be based on efficiency [Zimmermann,J]
26. Natural Theory / A. Speculations on Nature / 1. Nature
Aristotelian physics has circular celestial motion and linear earthly motion [Gorham]
29. Religion / B. Monotheistic Religion / 2. Judaism
Traditionally, God dictated the Torah to Moses, unlike the later biblical writings [Zimmermann,J]