Combining Philosophers

All the ideas for Gerhard Gentzen, Stewart Cohen and Benedetto Croce

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16 ideas

5. Theory of Logic / A. Overview of Logic / 2. History of Logic
Gentzen introduced a natural deduction calculus (NK) in 1934 [Gentzen, by Read]
5. Theory of Logic / E. Structures of Logic / 2. Logical Connectives / a. Logical connectives
The inferential role of a logical constant constitutes its meaning [Gentzen, by Hanna]
The logical connectives are 'defined' by their introduction rules [Gentzen]
Each logical symbol has an 'introduction' rule to define it, and hence an 'elimination' rule [Gentzen]
5. Theory of Logic / H. Proof Systems / 4. Natural Deduction
Natural deduction shows the heart of reasoning (and sequent calculus is just a tool) [Gentzen, by Hacking]
6. Mathematics / B. Foundations for Mathematics / 4. Axioms for Number / g. Incompleteness of Arithmetic
Gentzen proved the consistency of arithmetic from assumptions beyond arithmetic [Gentzen, by Musgrave]
13. Knowledge Criteria / C. External Justification / 6. Contextual Justification / a. Contextualism
Our own intuitions about whether we know tend to vacillate [Cohen,S]
We shouldn't jump too quickly to a contextualist account of claims to know [Cohen,S]
The context sensitivity of knowledge derives from its justification [Cohen,S]
Contextualism is good because it allows knowledge, but bad because 'knowing' is less valued [Cohen,S]
Contextualism says sceptical arguments are true, relative to their strict context [Cohen,S]
Knowledge is context-sensitive, because justification is [Cohen,S]
13. Knowledge Criteria / C. External Justification / 6. Contextual Justification / b. Invariantism
There aren't invariant high standards for knowledge, because even those can be raised [Cohen,S]
13. Knowledge Criteria / D. Scepticism / 6. Scepticism Critique
Contextualists slightly concede scepticism, but only in extremely strict contexts [Cohen,S]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
The experience of expression and communication are intermingled in art [Croce]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
Historical interpretation aims to recapture the author's view of the work [Croce]