Combining Philosophers

All the ideas for H.Putnam/P.Oppenheim, Clive Bell and Chris Swoyer

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42 ideas

4. Formal Logic / F. Set Theory ST / 5. Conceptions of Set / e. Iterative sets
In the iterative conception of sets, they form a natural hierarchy [Swoyer]
5. Theory of Logic / E. Structures of Logic / 1. Logical Form
Logical Form explains differing logical behaviour of similar sentences [Swoyer]
7. Existence / A. Nature of Existence / 4. Abstract Existence
Some abstract things have a beginning and end, so may exist in time (though not space) [Swoyer]
7. Existence / C. Structure of Existence / 5. Supervenience / a. Nature of supervenience
Supervenience is nowadays seen as between properties, rather than linguistic [Swoyer]
7. Existence / D. Theories of Reality / 1. Ontologies
Ontologists seek existence and identity conditions, and modal and epistemic status for a thing [Swoyer]
7. Existence / D. Theories of Reality / 4. Anti-realism
Anti-realists can't explain different methods to measure distance [Swoyer]
8. Modes of Existence / B. Properties / 1. Nature of Properties
If a property such as self-identity can only be in one thing, it can't be a universal [Swoyer]
Can properties have parts? [Swoyer]
Can properties exemplify other properties? [Swoyer]
8. Modes of Existence / B. Properties / 5. Natural Properties
There are only first-order properties ('red'), and none of higher-order ('coloured') [Swoyer]
8. Modes of Existence / B. Properties / 11. Properties as Sets
The best-known candidate for an identity condition for properties is necessary coextensiveness [Swoyer]
8. Modes of Existence / D. Universals / 1. Universals
Various attempts are made to evade universals being wholly present in different places [Swoyer]
8. Modes of Existence / E. Nominalism / 4. Concept Nominalism
Conceptualism says words like 'honesty' refer to concepts, not to properties [Swoyer]
9. Objects / A. Existence of Objects / 2. Abstract Objects / a. Nature of abstracta
If properties are abstract objects, then their being abstract exemplifies being abstract [Swoyer]
9. Objects / A. Existence of Objects / 5. Simples
Quantum field theory suggests that there are, fundamentally, no individual things [Swoyer]
10. Modality / E. Possible worlds / 1. Possible Worlds / e. Against possible worlds
One might hope to reduce possible worlds to properties [Swoyer]
12. Knowledge Sources / D. Empiricism / 5. Empiricism Critique
Extreme empiricists can hardly explain anything [Swoyer]
14. Science / D. Explanation / 2. Types of Explanation / j. Explanations by reduction
Six reduction levels: groups, lives, cells, molecules, atoms, particles [Putnam/Oppenheim, by Watson]
18. Thought / C. Content / 8. Intension
Intensions are functions which map possible worlds to sets of things denoted by an expression [Swoyer]
18. Thought / D. Concepts / 4. Structure of Concepts / e. Concepts from exemplars
Research suggests that concepts rely on typical examples [Swoyer]
19. Language / C. Assigning Meanings / 3. Predicates
The F and G of logic cover a huge range of natural language combinations [Swoyer]
19. Language / D. Propositions / 2. Abstract Propositions / a. Propositions as sense
Maybe a proposition is just a property with all its places filled [Swoyer]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Good art produces exaltation and detachment [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
The word 'beauty' leads to confusion, because it denotes distinct emotions [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 5. Natural Beauty
Our feeling for natural beauty is different from the aesthetic emotion of art [Bell,C]
We only see landscapes as artistic if we ignore their instrumental value [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
Visual form can create a sublime mental state [Bell,C]
21. Aesthetics / B. Nature of Art / 1. Defining Art
Art is the expression of an emotion for ultimate reality [Bell,C]
Aestheticism invites artist to create beauty, but with no indication of how to do it [Bell,C]
21. Aesthetics / B. Nature of Art / 2. Art as Form
Only artists can discern significant form; other people must look to art to find it [Bell,C, by Gardner]
Maybe significant form gives us a feeling for ultimate reality [Bell,C]
Significant form is the essence of art, which I believe expresses an emotion about reality [Bell,C]
'Form' is visual relations, and it is 'significant' if it moves us aesthetically; art needs both [Bell,C, by Feagin]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
The only expression art could have is the emotion resulting from pure form [Bell,C]
21. Aesthetics / C. Artistic Issues / 2. Copies of Art
Mere copies of pictures are not significant - unless the copies are very exact [Bell,C]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
Art is distinguished by its aesthetic emotion, which produces appropriate form [Bell,C]
21. Aesthetics / C. Artistic Issues / 6. Value of Art
Aesthetic contemplation is the best and most intense mental state [Bell,C]
Aesthetic experience is an exaltation which increases the possibilities of life [Bell,C]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
Only artistic qualities matter in art, because they also have the highest moral value [Bell,C]
26. Natural Theory / D. Laws of Nature / 4. Regularities / a. Regularity theory
If laws are mere regularities, they give no grounds for future prediction [Swoyer]
26. Natural Theory / D. Laws of Nature / 8. Scientific Essentialism / a. Scientific essentialism
Two properties can have one power, and one property can have two powers [Swoyer]
29. Religion / D. Religious Issues / 1. Religious Commitment / a. Religious Belief
Religion sees infinite value in some things, and irrelevance in the rest [Bell,C]