20 ideas
| 3745 | Must sentences make statements to qualify for truth? [O'Connor] |
| 3742 | Beliefs must match facts, but also words must match beliefs [O'Connor] |
| 3744 | The semantic theory requires sentences as truth-bearers, not propositions [O'Connor] |
| 3749 | What does 'true in English' mean? [O'Connor] |
| 3746 | Logic seems to work for unasserted sentences [O'Connor] |
| 3747 | Events are fast changes which are of interest to us [O'Connor] |
| 3743 | We can't contemplate our beliefs until we have expressed them [O'Connor] |
| 3748 | Without language our beliefs are particular and present [O'Connor] |
| 20653 | Six reduction levels: groups, lives, cells, molecules, atoms, particles [Putnam/Oppenheim, by Watson] |
| 20429 | Most of us are too close to our own motives to understand them [Fry] |
| 20424 | Imaginative life requires no action, so new kinds of perception and values emerge in art [Fry] |
| 20427 | Everyone reveals an aesthetic attitude, looking at something which only exists to be seen [Fry] |
| 20433 | 'Beauty' can either mean sensuous charm, or the aesthetic approval of art (which may be ugly) [Fry] |
| 20430 | In life we neglect 'cosmic emotion', but it matters, and art brings it to the fore [Fry] |
| 20431 | Art needs a mixture of order and variety in its sensations [Fry] |
| 20423 | If graphic arts only aim at imitation, their works are only trivial ingenious toys [Fry] |
| 20428 | Popular opinion favours realism, yet most people never look closely at anything! [Fry] |
| 20432 | When viewing art, rather than flowers, we are aware of purpose, and sympathy with its creator [Fry] |
| 20425 | In the cinema the emotions are weaker, but much clearer than in ordinary life [Fry] |
| 20426 | For pure moralists art must promote right action, and not just be harmless [Fry] |