20 ideas
19504 | My modus ponens might be your modus tollens [Pritchard,D] |
19503 | An improbable lottery win can occur in a nearby possible world [Pritchard,D] |
19505 | Moore begs the question, or just offers another view, or uses 'know' wrongly [Pritchard,D, by PG] |
19499 | We can have evidence for seeing a zebra, but no evidence for what is entailed by that [Pritchard,D] |
19500 | Favouring: an entailment will give better support for the first belief than reason to deny the second [Pritchard,D] |
19502 | Maybe knowledge just needs relevant discriminations among contrasting cases [Pritchard,D] |
19498 | Epistemic internalism usually says justification must be accessible by reflection [Pritchard,D] |
19506 | Externalism is better than internalism in dealing with radical scepticism [Pritchard,D] |
19496 | Disjunctivism says perceptual justification must be both factual and known by the agent [Pritchard,D] |
19497 | Metaphysical disjunctivism says normal perceptions and hallucinations are different experiences [Pritchard,D] |
19495 | Epistemic externalism struggles to capture the idea of epistemic responsibility [Pritchard,D] |
19501 | We assess error against background knowledge, but that is just what radical scepticism challenges [Pritchard,D] |
19507 | Radical scepticism is merely raised, and is not a response to worrying evidence [Pritchard,D] |
20653 | Six reduction levels: groups, lives, cells, molecules, atoms, particles [Putnam/Oppenheim, by Watson] |
20400 | Intentions either succeed or fail, so external evidence for them is always irrelevant [Wimsatt/Beardsley, by Davies,S] |
7266 | The author's intentions are irrelevant to the judgement of a work's success [Wimsatt/Beardsley] |
7267 | Poetry, unlike messages, can be successful without communicating intentions [Wimsatt/Beardsley] |
7268 | The thoughts of a poem should be imputed to the dramatic speaker, and hardly at all to the poet [Wimsatt/Beardsley] |
7269 | The intentional fallacy is a romantic one [Wimsatt/Beardsley] |
7271 | Biography can reveal meanings and dramatic character, as well as possible intentions [Wimsatt/Beardsley] |