46 ideas
| 14092 | Philosophers are often too fussy about words, dismissing perfectly useful ordinary terms [Rosen] |
| 14100 | Figuring in the definition of a thing doesn't make it a part of that thing [Rosen] |
| 18851 | Pairing (with Extensionality) guarantees an infinity of sets, just from a single element [Rosen] |
| 14096 | Explanations fail to be monotonic [Rosen] |
| 14097 | Things could be true 'in virtue of' others as relations between truths, or between truths and items [Rosen] |
| 14095 | Facts are structures of worldly items, rather like sentences, individuated by their ingredients [Rosen] |
| 14093 | An 'intrinsic' property is one that depends on a thing and its parts, and not on its relations [Rosen] |
| 20339 | Classes rarely share properties with their members - unlike universals and types [Wollheim] |
| 8915 | How we refer to abstractions is much less clear than how we refer to other things [Rosen] |
| 18852 | A Meinongian principle might say that there is an object for any modest class of properties [Rosen] |
| 18849 | Metaphysical necessity is absolute and universal; metaphysical possibility is very tolerant [Rosen] |
| 18850 | 'Metaphysical' modality is the one that makes the necessity or contingency of laws of nature interesting [Rosen] |
| 18858 | Sets, universals and aggregates may be metaphysically necessary in one sense, but not another [Rosen] |
| 14094 | The excellent notion of metaphysical 'necessity' cannot be defined [Rosen] |
| 18857 | Standard Metaphysical Necessity: P holds wherever the actual form of the world holds [Rosen] |
| 18856 | Non-Standard Metaphysical Necessity: when ¬P is incompatible with the nature of things [Rosen] |
| 18848 | Something may be necessary because of logic, but is that therefore a special sort of necessity? [Rosen] |
| 18855 | Combinatorial theories of possibility assume the principles of combination don't change across worlds [Rosen] |
| 14101 | Are necessary truths rooted in essences, or also in basic grounding laws? [Rosen] |
| 18853 | A proposition is 'correctly' conceivable if an ominiscient being could conceive it [Rosen] |
| 20653 | Six reduction levels: groups, lives, cells, molecules, atoms, particles [Putnam/Oppenheim, by Watson] |
| 20338 | We often treat a type as if it were a sort of token [Wollheim] |
| 8917 | The Way of Abstraction used to say an abstraction is an idea that was formed by abstracting [Rosen] |
| 8912 | Nowadays abstractions are defined as non-spatial, causally inert things [Rosen] |
| 8913 | Chess may be abstract, but it has existed in specific space and time [Rosen] |
| 8914 | Sets are said to be abstract and non-spatial, but a set of books can be on a shelf [Rosen] |
| 8916 | Conflating abstractions with either sets or universals is a big claim, needing a big defence [Rosen] |
| 8918 | Functional terms can pick out abstractions by asserting an equivalence relation [Rosen] |
| 8919 | Abstraction by equivalence relationships might prove that a train is an abstract entity [Rosen] |
| 14099 | 'Bachelor' consists in or reduces to 'unmarried' male, but not the other way around [Rosen] |
| 20342 | Interpretation is performance for some arts, and critical for all arts [Wollheim] |
| 20343 | A love of nature must precede a love of art [Wollheim] |
| 20348 | A criterion of identity for works of art would be easier than a definition [Wollheim] |
| 20347 | If beauty needs organisation, then totally simple things can't be beautiful [Wollheim] |
| 20345 | Some say art must have verbalisable expression, and others say the opposite! [Wollheim] |
| 20331 | It is claimed that the expressive properties of artworks are non-physical [Wollheim] |
| 20336 | Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim] |
| 20337 | The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim] |
| 20333 | If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim] |
| 20334 | The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim] |
| 20335 | The ideal theory of art neglects both the audience and the medium employed [Wollheim] |
| 20340 | A musical performance has virtually the same features as the piece of music [Wollheim] |
| 20341 | An interpretation adds further properties to the generic piece of music [Wollheim] |
| 20332 | A drawing only represents Napoleon if the artist intended it to [Wollheim] |
| 18854 | The MRL view says laws are the theorems of the simplest and strongest account of the world [Rosen] |
| 14098 | An acid is just a proton donor [Rosen] |