37 ideas
| 22338 | An unexamined life can be virtuous [Murdoch] |
| 22337 | Philosophy must keep returning to the beginning [Murdoch] |
| 23563 | Philosophy moves continually between elaborate theories and the obvious facts [Murdoch] |
| 8525 | Relations need terms, so they must be second-order entities based on first-order tropes [Campbell,K] |
| 8518 | Events are trope-sequences, in which tropes replace one another [Campbell,K] |
| 8513 | Two red cloths are separate instances of redness, because you can dye one of them blue [Campbell,K] |
| 8514 | Red could only recur in a variety of objects if it was many, which makes them particulars [Campbell,K] |
| 8522 | Tropes solve the Companionship Difficulty, since the resemblance is only between abstract particulars [Campbell,K] |
| 8523 | Tropes solve the Imperfect Community problem, as they can only resemble in one respect [Campbell,K] |
| 8524 | Trope theory makes space central to reality, as tropes must have a shape and size [Campbell,K] |
| 8521 | Nominalism has the problem that without humans nothing would resemble anything else [Campbell,K] |
| 8515 | Tropes are basic particulars, so concrete particulars are collections of co-located tropes [Campbell,K] |
| 8519 | Bundles must be unique, so the Identity of Indiscernibles is a necessity - which it isn't! [Campbell,K] |
| 4033 | Two pure spheres in non-absolute space are identical but indiscernible [Campbell,K] |
| 20653 | Six reduction levels: groups, lives, cells, molecules, atoms, particles [Putnam/Oppenheim, by Watson] |
| 22591 | We know perfection when we see what is imperfect [Murdoch] |
| 8512 | Abstractions come before the mind by concentrating on a part of what is presented [Campbell,K] |
| 22709 | We should first decide what are the great works of art, with aesthetic theory following from that [Murdoch] |
| 22341 | Literature is the most important aspect of culture, because it teaches understanding of living [Murdoch] |
| 22715 | Great art proves the absurdity of art for art's sake [Murdoch] |
| 22714 | Because art is love, it improves us morally [Murdoch] |
| 22712 | Art and morals are essentially the same, and are both identical with love [Murdoch] |
| 22347 | Appreciating beauty in art or nature opens up the good life, by restricting selfishness [Murdoch] |
| 22339 | Love is a central concept in morals [Murdoch] |
| 22348 | Ordinary human love is good evidence of transcendent goodness [Murdoch] |
| 22713 | Love is realising something other than oneself is real [Murdoch] |
| 22343 | If I attend properly I will have no choices [Murdoch] |
| 22340 | It is hard to learn goodness from others, because their virtues are part of their personal history [Murdoch] |
| 22349 | Art trains us in the love of virtue [Murdoch] |
| 22346 | Moral reflection and experience gradually reveals unity in the moral world [Murdoch] |
| 22350 | Only trivial virtues can be possessed on their own [Murdoch] |
| 20765 | Man is a brave naked will, separate from a background of values and realities [Murdoch] |
| 22351 | Only a philosopher might think choices create values [Murdoch] |
| 22342 | Kantian existentialists care greatly for reasons for action, whereas Surrealists care nothing [Murdoch] |
| 8517 | Causal conditions are particular abstract instances of properties, which makes them tropes [Campbell,K] |
| 8516 | Davidson can't explain causation entirely by events, because conditions are also involved [Campbell,K] |
| 22345 | Moral philosophy needs a central concept with all the traditional attributes of God [Murdoch] |