Combining Philosophers

All the ideas for H.Putnam/P.Oppenheim, Jan Westerhoff and W Wimsatt/W Beardsley

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21 ideas

5. Theory of Logic / F. Referring in Logic / 1. Naming / a. Names
13134 We negate predicates but do not negate names [Westerhoff]
7. Existence / E. Categories / 1. Categories
13124 Categories can be ordered by both containment and generality [Westerhoff]
13117 How far down before we are too specialised to have a category? [Westerhoff]
13116 Maybe objects in the same category have the same criteria of identity [Westerhoff]
13118 Categories are base-sets which are used to construct states of affairs [Westerhoff]
13125 Categories are held to explain why some substitutions give falsehood, and others meaninglessness [Westerhoff]
13126 Categories systematize our intuitions about generality, substitutability, and identity [Westerhoff]
13130 Categories as generalities don't give a criterion for a low-level cut-off point [Westerhoff]
7. Existence / E. Categories / 2. Categorisation
13131 The aim is that everything should belong in some ontological category or other [Westerhoff]
7. Existence / E. Categories / 3. Proposed Categories
13123 All systems have properties and relations, and most have individuals, abstracta, sets and events [Westerhoff]
7. Existence / E. Categories / 5. Category Anti-Realism
13115 Ontological categories are like formal axioms, not unique and with necessary membership [Westerhoff]
13119 Categories merely systematise, and are not intrinsic to objects [Westerhoff]
13135 A thing's ontological category depends on what else exists, so it is contingent [Westerhoff]
9. Objects / D. Essence of Objects / 5. Essence as Kind
13129 Essential kinds may be too specific to provide ontological categories [Westerhoff]
14. Science / D. Explanation / 2. Types of Explanation / j. Explanations by reduction
20653 Six reduction levels: groups, lives, cells, molecules, atoms, particles [Putnam/Oppenheim, by Watson]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
20400 Intentions either succeed or fail, so external evidence for them is always irrelevant [Wimsatt/Beardsley, by Davies,S]
7266 The author's intentions are irrelevant to the judgement of a work's success [Wimsatt/Beardsley]
7267 Poetry, unlike messages, can be successful without communicating intentions [Wimsatt/Beardsley]
7268 The thoughts of a poem should be imputed to the dramatic speaker, and hardly at all to the poet [Wimsatt/Beardsley]
7269 The intentional fallacy is a romantic one [Wimsatt/Beardsley]
7271 Biography can reveal meanings and dramatic character, as well as possible intentions [Wimsatt/Beardsley]