77 ideas
20388 | 'Necessary' conditions are requirements, and 'sufficient' conditions are guarantees [Davies,S] |
13395 | If an analysis shows the features of a concept, it doesn't seem to 'reduce' the concept [Jubien] |
20389 | A definition of a thing gives all the requirements which add up to a guarantee of it [Davies,S] |
20391 | Feminists warn that ideologies use timeless objective definitions as a tool of repression [Davies,S] |
9967 | 'Impure' sets have a concrete member, while 'pure' (abstract) sets do not [Jubien] |
13378 | It is a mistake to think that the logic developed for mathematics can clarify language and philosophy [Jubien] |
13402 | We only grasp a name if we know whether to apply it when the bearer changes [Jubien] |
13405 | The baptiser picks the bearer of a name, but social use decides the category [Jubien] |
13399 | Examples show that ordinary proper names are not rigid designators [Jubien] |
13398 | We could make a contingent description into a rigid and necessary one by adding 'actual' to it [Jubien] |
11115 | 'All horses' either picks out the horses, or the things which are horses [Jubien] |
13392 | Philosophers reduce complex English kind-quantifiers to the simplistic first-order quantifier [Jubien] |
9968 | A model is 'fundamental' if it contains only concrete entities [Jubien] |
9965 | There couldn't just be one number, such as 17 [Jubien] |
9966 | The subject-matter of (pure) mathematics is abstract structure [Jubien] |
9963 | If we all intuited mathematical objects, platonism would be agreed [Jubien] |
9962 | How can pure abstract entities give models to serve as interpretations? [Jubien] |
9964 | Since mathematical objects are essentially relational, they can't be picked out on their own [Jubien] |
13404 | To exist necessarily is to have an essence whose own essence must be instantiated [Jubien] |
13386 | If objects are just conventional, there is no ontological distinction between stuff and things [Jubien] |
13403 | The category of Venus is not 'object', or even 'planet', but a particular class of good-sized object [Jubien] |
11116 | Being a physical object is our most fundamental category [Jubien] |
9969 | The empty set is the purest abstract object [Jubien] |
13375 | The idea that every entity must have identity conditions is an unfortunate misunderstanding [Jubien] |
11117 | Haecceities implausibly have no qualities [Jubien] |
13393 | Any entity has the unique property of being that specific entity [Jubien] |
13388 | It is incoherent to think that a given entity depends on its kind for its existence [Jubien] |
13384 | Objects need conventions for their matter, their temporal possibility, and their spatial possibility [Jubien] |
13385 | Basically, the world doesn't have ready-made 'objects'; we carve objects any way we like [Jubien] |
13383 | If the statue is loved and the clay hated, that is about the object first qua statue, then qua clay [Jubien] |
13400 | If one entity is an object, a statue, and some clay, these come apart in at least three ways [Jubien] |
13401 | The idea of coincident objects is a last resort, as it is opposed to commonsense naturalism [Jubien] |
13380 | Parts seem to matter when it is just an object, but not matter when it is a kind of object [Jubien] |
13376 | We should not regard essentialism as just nontrivial de re necessity [Jubien] |
13381 | Thinking of them as 'ships' the repaired ship is the original, but as 'objects' the reassembly is the original [Jubien] |
13382 | Rearranging the planks as a ship is confusing; we'd say it was the same 'object' with a different arrangement [Jubien] |
13379 | If two objects are indiscernible across spacetime, how could we decide whether or not they are the same? [Jubien] |
13394 | Entailment does not result from mutual necessity; mutual necessity ensures entailment [Jubien] |
11119 | De re necessity is just de dicto necessity about object-essences [Jubien] |
13391 | Modality concerns relations among platonic properties [Jubien] |
13374 | To analyse modality, we must give accounts of objects, properties and relations [Jubien] |
11118 | Modal propositions transcend the concrete, but not the actual [Jubien] |
11108 | Your properties, not some other world, decide your possibilities [Jubien] |
11111 | Modal truths are facts about parts of this world, not about remote maximal entities [Jubien] |
11105 | We have no idea how many 'possible worlds' there might be [Jubien] |
11107 | If there are no other possible worlds, do we then exist necessarily? [Jubien] |
11106 | If all possible worlds just happened to include stars, their existence would be necessary [Jubien] |
11112 | Possible worlds just give parallel contingencies, with no explanation at all of necessity [Jubien] |
11109 | If other worlds exist, then they are scattered parts of the actual world [Jubien] |
11113 | Worlds don't explain necessity; we use necessity to decide on possible worlds [Jubien] |
13389 | The love of possible worlds is part of the dream that technical logic solves philosophical problems [Jubien] |
13390 | Possible worlds don't explain necessity, because they are a bunch of parallel contingencies [Jubien] |
11110 | We mustn't confuse a similar person with the same person [Jubien] |
20653 | Six reduction levels: groups, lives, cells, molecules, atoms, particles [Putnam/Oppenheim, by Watson] |
13396 | Analysing mental concepts points to 'inclusionism' - that mental phenomena are part of the physical [Jubien] |
13377 | First-order logic tilts in favour of the direct reference theory, in its use of constants for objects [Jubien] |
20387 | Aesthetic experience involves perception, but also imagination and understanding [Davies,S] |
20385 | The faculty of 'taste' was posited to explain why only some people had aesthetic appreciation [Davies,S] |
20386 | The sublime is negative in awareness of insignificance, and positive in showing understanding [Davies,S] |
20384 | The idea that art forms are linked into a single concept began in the 1740s [Davies,S] |
20390 | Defining art as representation or expression or form were all undermined by the avant-garde [Davies,S] |
20392 | 'Aesthetic functionalism' says art is what is intended to create aesthetic experiences [Davies,S] |
20405 | Music may be expressive by being 'associated' with other emotional words or events [Davies,S] |
20403 | It seems unlikely that sad music expresses a composer's sadness; it takes ages to write [Davies,S] |
20393 | The 'institutional' theory says art is just something appropriately placed in the 'artworld' [Davies,S] |
20402 | Music is too definite to be put into words (not too indefinite!) [Davies,S] |
20395 | The title of a painting can be vital, and the artist decrees who the portrait represents [Davies,S] |
20396 | We must know what the work is meant to be, to evaluate the artist's achievement [Davies,S] |
20399 | Intentionalism says either meaning just is intention, or ('moderate') meaning is successful intention [Davies,S] |
20401 | The meaning is given by the audience's best guess at the author's intentions [Davies,S] |
20397 | If we could perfectly clone the Mona Lisa, the original would still be special [Davies,S] |
20398 | Art that is multiply instanced may require at least one instance [Davies,S] |
20404 | Music isn't just sad because it makes the listener feel sad [Davies,S] |
22705 | If the depiction of evil is glorified, that is an artistic flaw [Davies,S] |
22707 | It is an artistic defect if excessive moral outrage distorts the story, and narrows our sympathies [Davies,S] |
22706 | A work which seeks approval for immorality, but alienates the audience, is a failure [Davies,S] |
22704 | Immorality may or may not be an artistic defect [Davies,S] |