39 ideas
| 23728 | Analysis aims to express the full set of platitudes surrounding a given concept [Smith,M] |
| 23744 | Defining a set of things by paradigms doesn't pin them down enough [Smith,M] |
| 20653 | Six reduction levels: groups, lives, cells, molecules, atoms, particles [Putnam/Oppenheim, by Watson] |
| 23743 | Capturing all the common sense facts about rationality is almost impossible [Smith,M] |
| 23739 | Goals need desires, and so only desires can motivate us [Smith,M] |
| 23724 | A pure desire could be criticised if it were based on a false belief [Smith,M] |
| 23736 | A person can have a desire without feeling it [Smith,M] |
| 23723 | In the Humean account, desires are not true/false, or subject to any rational criticism [Smith,M] |
| 23735 | Subjects may be fallible about the desires which explain their actions [Smith,M] |
| 23738 | Humeans (unlike their opponents) say that desires and judgements can separate [Smith,M] |
| 23742 | If first- and second-order desires conflict, harmony does not require the second-order to win [Smith,M] |
| 23746 | Objective reasons to act might be the systematic desires of a fully rational person [Smith,M] |
| 23733 | Motivating reasons are psychological, while normative reasons are external [Smith,M] |
| 23740 | Humeans take maximising desire satisfaction as the normative reasons for actions [Smith,M] |
| 23745 | We cannot expect even fully rational people to converge on having the same desires for action [Smith,M] |
| 23928 | Good art produces exaltation and detachment [Bell,C] |
| 23922 | The word 'beauty' leads to confusion, because it denotes distinct emotions [Bell,C] |
| 23921 | Our feeling for natural beauty is different from the aesthetic emotion of art [Bell,C] |
| 23929 | We only see landscapes as artistic if we ignore their instrumental value [Bell,C] |
| 23923 | Visual form can create a sublime mental state [Bell,C] |
| 23932 | Art is the expression of an emotion for ultimate reality [Bell,C] |
| 23927 | Aestheticism invites artist to create beauty, but with no indication of how to do it [Bell,C] |
| 8115 | Only artists can discern significant form; other people must look to art to find it [Bell,C, by Gardner] |
| 23924 | Maybe significant form gives us a feeling for ultimate reality [Bell,C] |
| 23931 | Significant form is the essence of art, which I believe expresses an emotion about reality [Bell,C] |
| 20434 | 'Form' is visual relations, and it is 'significant' if it moves us aesthetically; art needs both [Bell,C, by Feagin] |
| 23934 | The only expression art could have is the emotion resulting from pure form [Bell,C] |
| 23925 | Mere copies of pictures are not significant - unless the copies are very exact [Bell,C] |
| 23926 | Art is distinguished by its aesthetic emotion, which produces appropriate form [Bell,C] |
| 23933 | Aesthetic contemplation is the best and most intense mental state [Bell,C] |
| 23935 | Aesthetic experience is an exaltation which increases the possibilities of life [Bell,C] |
| 22691 | Only artistic qualities matter in art, because they also have the highest moral value [Bell,C] |
| 23731 | 'Externalists' say moral judgements are not reasons, and maybe not even motives [Smith,M] |
| 23732 | A person could make a moral judgement without being in any way motivated by it [Smith,M] |
| 23729 | Moral internalism says a judgement of rightness is thereby motivating [Smith,M] |
| 23730 | 'Rationalism' says the rightness of an action is a reason to perform it [Smith,M] |
| 23727 | Expressivists count attitudes as 'moral' if they concern features of things, rather than their mere existence [Smith,M] |
| 23741 | Is valuing something a matter of believing or a matter of desiring? [Smith,M] |
| 23930 | Religion sees infinite value in some things, and irrelevance in the rest [Bell,C] |