Combining Philosophers

All the ideas for H.Putnam/P.Oppenheim, Roger Fry and Halbach,V/Leigh,G.E.

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22 ideas

3. Truth / A. Truth Problems / 2. Defining Truth
19125 If we define truth, we can eliminate it [Halbach/Leigh]
3. Truth / F. Semantic Truth / 1. Tarski's Truth / b. Satisfaction and truth
19128 If a language cannot name all objects, then satisfaction must be used, instead of unary truth [Halbach/Leigh]
3. Truth / F. Semantic Truth / 1. Tarski's Truth / c. Meta-language for truth
19120 Semantic theories need a powerful metalanguage, typically including set theory [Halbach/Leigh]
3. Truth / F. Semantic Truth / 2. Semantic Truth
19127 The T-sentences are deductively weak, and also not deductively conservative [Halbach/Leigh]
3. Truth / G. Axiomatic Truth / 1. Axiomatic Truth
19124 A natural theory of truth plays the role of reflection principles, establishing arithmetic's soundness [Halbach/Leigh]
19126 If deflationary truth is not explanatory, truth axioms should be 'conservative', proving nothing new [Halbach/Leigh]
3. Truth / G. Axiomatic Truth / 2. FS Truth Axioms
19129 The FS axioms use classical logical, but are not fully consistent [Halbach/Leigh]
3. Truth / G. Axiomatic Truth / 3. KF Truth Axioms
19130 KF is formulated in classical logic, but describes non-classical truth, which allows truth-value gluts [Halbach/Leigh]
8. Modes of Existence / B. Properties / 12. Denial of Properties
19121 We can reduce properties to true formulas [Halbach/Leigh]
8. Modes of Existence / E. Nominalism / 1. Nominalism / c. Nominalism about abstracta
19122 Nominalists can reduce theories of properties or sets to harmless axiomatic truth theories [Halbach/Leigh]
14. Science / D. Explanation / 2. Types of Explanation / j. Explanations by reduction
20653 Six reduction levels: groups, lives, cells, molecules, atoms, particles [Putnam/Oppenheim, by Watson]
16. Persons / C. Self-Awareness / 3. Limits of Introspection
20429 Most of us are too close to our own motives to understand them [Fry]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
20424 Imaginative life requires no action, so new kinds of perception and values emerge in art [Fry]
20427 Everyone reveals an aesthetic attitude, looking at something which only exists to be seen [Fry]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
20433 'Beauty' can either mean sensuous charm, or the aesthetic approval of art (which may be ugly) [Fry]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
20430 In life we neglect 'cosmic emotion', but it matters, and art brings it to the fore [Fry]
21. Aesthetics / B. Nature of Art / 2. Art as Form
20431 Art needs a mixture of order and variety in its sensations [Fry]
21. Aesthetics / B. Nature of Art / 3. Art as Imitation
20423 If graphic arts only aim at imitation, their works are only trivial ingenious toys [Fry]
20428 Popular opinion favours realism, yet most people never look closely at anything! [Fry]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
20432 When viewing art, rather than flowers, we are aware of purpose, and sympathy with its creator [Fry]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
20425 In the cinema the emotions are weaker, but much clearer than in ordinary life [Fry]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
20426 For pure moralists art must promote right action, and not just be harmless [Fry]