34 ideas
| 19125 | If we define truth, we can eliminate it [Halbach/Leigh] |
| 19128 | If a language cannot name all objects, then satisfaction must be used, instead of unary truth [Halbach/Leigh] |
| 19120 | Semantic theories need a powerful metalanguage, typically including set theory [Halbach/Leigh] |
| 19127 | The T-sentences are deductively weak, and also not deductively conservative [Halbach/Leigh] |
| 19124 | A natural theory of truth plays the role of reflection principles, establishing arithmetic's soundness [Halbach/Leigh] |
| 19126 | If deflationary truth is not explanatory, truth axioms should be 'conservative', proving nothing new [Halbach/Leigh] |
| 19129 | The FS axioms use classical logical, but are not fully consistent [Halbach/Leigh] |
| 19130 | KF is formulated in classical logic, but describes non-classical truth, which allows truth-value gluts [Halbach/Leigh] |
| 13451 | The two best understood conceptions of set are the Iterative and the Limitation of Size [Rayo/Uzquiano] |
| 13452 | Some set theories give up Separation in exchange for a universal set [Rayo/Uzquiano] |
| 13449 | We could have unrestricted quantification without having an all-inclusive domain [Rayo/Uzquiano] |
| 13450 | Absolute generality is impossible, if there are indefinitely extensible concepts like sets and ordinals [Rayo/Uzquiano] |
| 13453 | Perhaps second-order quantifications cover concepts of objects, rather than plain objects [Rayo/Uzquiano] |
| 19121 | We can reduce properties to true formulas [Halbach/Leigh] |
| 19122 | Nominalists can reduce theories of properties or sets to harmless axiomatic truth theories [Halbach/Leigh] |
| 13448 | The domain of an assertion is restricted by context, either semantically or pragmatically [Rayo/Uzquiano] |
| 23928 | Good art produces exaltation and detachment [Bell,C] |
| 23922 | The word 'beauty' leads to confusion, because it denotes distinct emotions [Bell,C] |
| 23921 | Our feeling for natural beauty is different from the aesthetic emotion of art [Bell,C] |
| 23929 | We only see landscapes as artistic if we ignore their instrumental value [Bell,C] |
| 23923 | Visual form can create a sublime mental state [Bell,C] |
| 23932 | Art is the expression of an emotion for ultimate reality [Bell,C] |
| 23927 | Aestheticism invites artist to create beauty, but with no indication of how to do it [Bell,C] |
| 8115 | Only artists can discern significant form; other people must look to art to find it [Bell,C, by Gardner] |
| 23924 | Maybe significant form gives us a feeling for ultimate reality [Bell,C] |
| 23931 | Significant form is the essence of art, which I believe expresses an emotion about reality [Bell,C] |
| 20434 | 'Form' is visual relations, and it is 'significant' if it moves us aesthetically; art needs both [Bell,C, by Feagin] |
| 23934 | The only expression art could have is the emotion resulting from pure form [Bell,C] |
| 23925 | Mere copies of pictures are not significant - unless the copies are very exact [Bell,C] |
| 23926 | Art is distinguished by its aesthetic emotion, which produces appropriate form [Bell,C] |
| 23933 | Aesthetic contemplation is the best and most intense mental state [Bell,C] |
| 23935 | Aesthetic experience is an exaltation which increases the possibilities of life [Bell,C] |
| 22691 | Only artistic qualities matter in art, because they also have the highest moral value [Bell,C] |
| 23930 | Religion sees infinite value in some things, and irrelevance in the rest [Bell,C] |