42 ideas
| 20388 | 'Necessary' conditions are requirements, and 'sufficient' conditions are guarantees [Davies,S] |
| 20389 | A definition of a thing gives all the requirements which add up to a guarantee of it [Davies,S] |
| 20391 | Feminists warn that ideologies use timeless objective definitions as a tool of repression [Davies,S] |
| 12797 | If plural variables have 'some values', then non-count variables have 'some value' [Laycock] |
| 12794 | Plurals are semantical but not ontological [Laycock] |
| 17694 | Some non-count nouns can be used for counting, as in 'several wines' or 'fewer cheeses' [Laycock] |
| 17695 | Some apparent non-count words can take plural forms, such as 'snows' or 'waters' [Laycock] |
| 12792 | The category of stuff does not suit reference [Laycock] |
| 12799 | Descriptions of stuff are neither singular aggregates nor plural collections [Laycock] |
| 12818 | We shouldn't think some water retains its identity when it is mixed with air [Laycock] |
| 12795 | Parts must be of the same very general type as the wholes [Laycock] |
| 23551 | It is necessary for a belief that it be held for a length of time [Fricker,M] |
| 23558 | Offering knowledge needs accuracy and sincerity; receiving it needs testimonial justice [Fricker,M] |
| 23550 | Burge says we are normally a priori entitled to believe testimony [Fricker,M] |
| 23552 | We assess testimonial probabilities by the speaker, the listener, the facts, and the circumstances [Fricker,M] |
| 23553 | Testimonial judgement is not logical, but produces reasons and motivations [Fricker,M] |
| 23555 | Assessing credibility involves the impact of both the speaker's and the listener's social identity [Fricker,M] |
| 17696 | 'Humility is a virtue' has an abstract noun, but 'water is a liquid' has a generic concrete noun [Laycock] |
| 23554 | Judgements can be unreflective and non-inferential, yet rational, by being sensitive to experience [Fricker,M] |
| 12791 | It is said that proper reference is our intellectual link with the world [Laycock] |
| 20387 | Aesthetic experience involves perception, but also imagination and understanding [Davies,S] |
| 20385 | The faculty of 'taste' was posited to explain why only some people had aesthetic appreciation [Davies,S] |
| 20386 | The sublime is negative in awareness of insignificance, and positive in showing understanding [Davies,S] |
| 20384 | The idea that art forms are linked into a single concept began in the 1740s [Davies,S] |
| 20390 | Defining art as representation or expression or form were all undermined by the avant-garde [Davies,S] |
| 20392 | 'Aesthetic functionalism' says art is what is intended to create aesthetic experiences [Davies,S] |
| 20405 | Music may be expressive by being 'associated' with other emotional words or events [Davies,S] |
| 20403 | It seems unlikely that sad music expresses a composer's sadness; it takes ages to write [Davies,S] |
| 20393 | The 'institutional' theory says art is just something appropriately placed in the 'artworld' [Davies,S] |
| 20402 | Music is too definite to be put into words (not too indefinite!) [Davies,S] |
| 20395 | The title of a painting can be vital, and the artist decrees who the portrait represents [Davies,S] |
| 20396 | We must know what the work is meant to be, to evaluate the artist's achievement [Davies,S] |
| 20399 | Intentionalism says either meaning just is intention, or ('moderate') meaning is successful intention [Davies,S] |
| 20401 | The meaning is given by the audience's best guess at the author's intentions [Davies,S] |
| 20397 | If we could perfectly clone the Mona Lisa, the original would still be special [Davies,S] |
| 20398 | Art that is multiply instanced may require at least one instance [Davies,S] |
| 20404 | Music isn't just sad because it makes the listener feel sad [Davies,S] |
| 22705 | If the depiction of evil is glorified, that is an artistic flaw [Davies,S] |
| 22707 | It is an artistic defect if excessive moral outrage distorts the story, and narrows our sympathies [Davies,S] |
| 22704 | Immorality may or may not be an artistic defect [Davies,S] |
| 22706 | A work which seeks approval for immorality, but alienates the audience, is a failure [Davies,S] |
| 23557 | To judge agents in remote times and cultures we need a moral resentment weaker than blame [Fricker,M] |