Combining Philosophers

All the ideas for Herbert B. Enderton, Clive Bell and E Sosa / M Tooley

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62 ideas

4. Formal Logic / B. Propositional Logic PL / 3. Truth Tables
Until the 1960s the only semantics was truth-tables [Enderton]
4. Formal Logic / F. Set Theory ST / 2. Mechanics of Set Theory / a. Symbols of ST
'dom R' indicates the 'domain' of objects having a relation [Enderton]
'fld R' indicates the 'field' of all objects in the relation [Enderton]
'ran R' indicates the 'range' of objects being related to [Enderton]
We write F:A→B to indicate that A maps into B (the output of F on A is in B) [Enderton]
'F(x)' is the unique value which F assumes for a value of x [Enderton]
4. Formal Logic / F. Set Theory ST / 2. Mechanics of Set Theory / b. Terminology of ST
∈ says the whole set is in the other; ⊆ says the members of the subset are in the other [Enderton]
A relation is 'symmetric' on a set if every ordered pair has the relation in both directions [Enderton]
A relation is 'transitive' if it can be carried over from two ordered pairs to a third [Enderton]
The 'ordered pair' <x,y> is defined to be {{x}, {x,y}} [Enderton]
A 'linear or total ordering' must be transitive and satisfy trichotomy [Enderton]
The 'powerset' of a set is all the subsets of a given set [Enderton]
Two sets are 'disjoint' iff their intersection is empty [Enderton]
A 'domain' of a relation is the set of members of ordered pairs in the relation [Enderton]
A 'relation' is a set of ordered pairs [Enderton]
A 'function' is a relation in which each object is related to just one other object [Enderton]
A function 'maps A into B' if the relating things are set A, and the things related to are all in B [Enderton]
A function 'maps A onto B' if the relating things are set A, and the things related to are set B [Enderton]
A relation is 'reflexive' on a set if every member bears the relation to itself [Enderton]
A relation satisfies 'trichotomy' if all pairs are either relations, or contain identical objects [Enderton]
A set is 'dominated' by another if a one-to-one function maps the first set into a subset of the second [Enderton]
4. Formal Logic / F. Set Theory ST / 3. Types of Set / b. Empty (Null) Set
Note that {Φ} =/= Φ, because Φ ∈ {Φ} but Φ ∉ Φ [Enderton]
The empty set may look pointless, but many sets can be constructed from it [Enderton]
4. Formal Logic / F. Set Theory ST / 3. Types of Set / c. Unit (Singleton) Sets
The singleton is defined using the pairing axiom (as {x,x}) [Enderton]
4. Formal Logic / F. Set Theory ST / 3. Types of Set / e. Equivalence classes
An 'equivalence relation' is a reflexive, symmetric and transitive binary relation [Enderton]
We 'partition' a set into distinct subsets, according to each relation on its objects [Enderton]
4. Formal Logic / F. Set Theory ST / 4. Axioms for Sets / h. Axiom of Replacement VII
Fraenkel added Replacement, to give a theory of ordinal numbers [Enderton]
4. Formal Logic / F. Set Theory ST / 4. Axioms for Sets / j. Axiom of Choice IX
We can only define functions if Choice tells us which items are involved [Enderton]
5. Theory of Logic / A. Overview of Logic / 1. Overview of Logic
Inference not from content, but from the fact that it was said, is 'conversational implicature' [Enderton]
5. Theory of Logic / B. Logical Consequence / 2. Types of Consequence
Validity is either semantic (what preserves truth), or proof-theoretic (following procedures) [Enderton]
5. Theory of Logic / I. Semantics of Logic / 3. Logical Truth
A logical truth or tautology is a logical consequence of the empty set [Enderton]
5. Theory of Logic / I. Semantics of Logic / 4. Satisfaction
A truth assignment to the components of a wff 'satisfy' it if the wff is then True [Enderton]
5. Theory of Logic / K. Features of Logics / 3. Soundness
A proof theory is 'sound' if its valid inferences entail semantic validity [Enderton]
5. Theory of Logic / K. Features of Logics / 4. Completeness
A proof theory is 'complete' if semantically valid inferences entail proof-theoretic validity [Enderton]
5. Theory of Logic / K. Features of Logics / 6. Compactness
Proof in finite subsets is sufficient for proof in an infinite set [Enderton]
5. Theory of Logic / K. Features of Logics / 7. Decidability
Expressions are 'decidable' if inclusion in them (or not) can be proved [Enderton]
5. Theory of Logic / K. Features of Logics / 8. Enumerability
For a reasonable language, the set of valid wff's can always be enumerated [Enderton]
10. Modality / B. Possibility / 8. Conditionals / f. Pragmatics of conditionals
Sentences with 'if' are only conditionals if they can read as A-implies-B [Enderton]
15. Nature of Minds / C. Capacities of Minds / 9. Perceiving Causation
Either causal relations are given in experience, or they are unobserved and theoretical [Sosa/Tooley]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Good art produces exaltation and detachment [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
The word 'beauty' leads to confusion, because it denotes distinct emotions [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 5. Natural Beauty
Our feeling for natural beauty is different from the aesthetic emotion of art [Bell,C]
We only see landscapes as artistic if we ignore their instrumental value [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
Visual form can create a sublime mental state [Bell,C]
21. Aesthetics / B. Nature of Art / 1. Defining Art
Art is the expression of an emotion for ultimate reality [Bell,C]
Aestheticism invites artist to create beauty, but with no indication of how to do it [Bell,C]
21. Aesthetics / B. Nature of Art / 2. Art as Form
Only artists can discern significant form; other people must look to art to find it [Bell,C, by Gardner]
Maybe significant form gives us a feeling for ultimate reality [Bell,C]
Significant form is the essence of art, which I believe expresses an emotion about reality [Bell,C]
'Form' is visual relations, and it is 'significant' if it moves us aesthetically; art needs both [Bell,C, by Feagin]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
The only expression art could have is the emotion resulting from pure form [Bell,C]
21. Aesthetics / C. Artistic Issues / 2. Copies of Art
Mere copies of pictures are not significant - unless the copies are very exact [Bell,C]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
Art is distinguished by its aesthetic emotion, which produces appropriate form [Bell,C]
21. Aesthetics / C. Artistic Issues / 6. Value of Art
Aesthetic contemplation is the best and most intense mental state [Bell,C]
Aesthetic experience is an exaltation which increases the possibilities of life [Bell,C]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
Only artistic qualities matter in art, because they also have the highest moral value [Bell,C]
26. Natural Theory / C. Causation / 1. Causation
The problem is to explain how causal laws and relations connect, and how they link to the world [Sosa/Tooley]
26. Natural Theory / C. Causation / 4. Naturalised causation
Causation isn't energy transfer, because an electron is caused by previous temporal parts [Sosa/Tooley]
If direction of causation is just direction of energy transfer, that seems to involve causation [Sosa/Tooley]
26. Natural Theory / C. Causation / 8. Particular Causation / c. Conditions of causation
Are causes sufficient for the event, or necessary, or both? [Sosa/Tooley]
26. Natural Theory / C. Causation / 9. General Causation / b. Nomological causation
The dominant view is that causal laws are prior; a minority say causes can be explained singly [Sosa/Tooley]
29. Religion / D. Religious Issues / 1. Religious Commitment / a. Religious Belief
Religion sees infinite value in some things, and irrelevance in the rest [Bell,C]