Combining Philosophers

All the ideas for Hermarchus, Adolph Rami and Roger Fry

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33 ideas

3. Truth / B. Truthmakers / 1. For Truthmakers
There are five problems which the truth-maker theory might solve [Rami]
The truth-maker idea is usually justified by its explanatory power, or intuitive appeal [Rami]
3. Truth / B. Truthmakers / 2. Truthmaker Relation
The truth-making relation can be one-to-one, or many-to-many [Rami]
3. Truth / B. Truthmakers / 3. Truthmaker Maximalism
Central idea: truths need truthmakers; and possibly all truths have them, and makers entail truths [Rami]
3. Truth / B. Truthmakers / 4. Truthmaker Necessitarianism
Most theorists say that truth-makers necessitate their truths [Rami]
3. Truth / B. Truthmakers / 5. What Makes Truths / a. What makes truths
It seems best to assume different kinds of truth-maker, such as objects, facts, tropes, or events [Rami]
3. Truth / B. Truthmakers / 5. What Makes Truths / c. States of affairs make truths
Truth-makers seem to be states of affairs (plus optional individuals), or individuals and properties [Rami]
3. Truth / B. Truthmakers / 5. What Makes Truths / d. Being makes truths
'Truth supervenes on being' only gives necessary (not sufficient) conditions for contingent truths [Rami]
'Truth supervenes on being' avoids entities as truth-makers for negative truths [Rami]
3. Truth / B. Truthmakers / 7. Making Modal Truths
Maybe a truth-maker also works for the entailments of the given truth [Rami]
3. Truth / B. Truthmakers / 11. Truthmaking and Correspondence
Truth-making is usually internalist, but the correspondence theory is externalist [Rami]
3. Truth / C. Correspondence Truth / 1. Correspondence Truth
Correspondence theories assume that truth is a representation relation [Rami]
3. Truth / H. Deflationary Truth / 2. Deflationary Truth
Deflationist truth is an infinitely disjunctive property [Rami]
4. Formal Logic / D. Modal Logic ML / 7. Barcan Formula
Truth-maker theorists should probably reject the converse Barcan formula [Rami]
8. Modes of Existence / A. Relations / 2. Internal Relations
Internal relations depend either on the existence of the relata, or on their properties [Rami]
9. Objects / C. Structure of Objects / 2. Hylomorphism / a. Hylomorphism
The extremes of essentialism are that all properties are essential, or only very trivial ones [Rami]
9. Objects / D. Essence of Objects / 3. Individual Essences
An 'individual essence' is possessed uniquely by a particular object [Rami]
9. Objects / D. Essence of Objects / 5. Essence as Kind
'Sortal essentialism' says being a particular kind is what is essential [Rami]
9. Objects / D. Essence of Objects / 7. Essence and Necessity / b. Essence not necessities
Unlosable properties are not the same as essential properties [Rami]
10. Modality / A. Necessity / 3. Types of Necessity
Physical possibility is part of metaphysical possibility which is part of logical possibility [Rami]
10. Modality / B. Possibility / 2. Epistemic possibility
If it is possible 'for all I know' then it is 'epistemically possible' [Rami]
16. Persons / C. Self-Awareness / 3. Limits of Introspection
Most of us are too close to our own motives to understand them [Fry]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Imaginative life requires no action, so new kinds of perception and values emerge in art [Fry]
Everyone reveals an aesthetic attitude, looking at something which only exists to be seen [Fry]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
'Beauty' can either mean sensuous charm, or the aesthetic approval of art (which may be ugly) [Fry]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
In life we neglect 'cosmic emotion', but it matters, and art brings it to the fore [Fry]
21. Aesthetics / B. Nature of Art / 2. Art as Form
Art needs a mixture of order and variety in its sensations [Fry]
21. Aesthetics / B. Nature of Art / 3. Art as Imitation
If graphic arts only aim at imitation, their works are only trivial ingenious toys [Fry]
Popular opinion favours realism, yet most people never look closely at anything! [Fry]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
When viewing art, rather than flowers, we are aware of purpose, and sympathy with its creator [Fry]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
In the cinema the emotions are weaker, but much clearer than in ordinary life [Fry]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
For pure moralists art must promote right action, and not just be harmless [Fry]
25. Social Practice / F. Life Issues / 6. Animal Rights
Animals are dangerous and nourishing, and can't form contracts of justice [Hermarchus, by Sedley]