Combining Philosophers

All the ideas for Hermarchus, Fred Sommers and Clive Bell

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29 ideas

3. Truth / B. Truthmakers / 5. What Makes Truths / a. What makes truths
Truthmakers are facts 'of' a domain, not something 'in' the domain [Sommers]
4. Formal Logic / A. Syllogistic Logic / 3. Term Logic
'Predicable' terms come in charged pairs, with one the negation of the other [Sommers, by Engelbretsen]
Logic which maps ordinary reasoning must be transparent, and free of variables [Sommers]
5. Theory of Logic / D. Assumptions for Logic / 4. Identity in Logic
Predicate logic has to spell out that its identity relation '=' is an equivalent relation [Sommers]
5. Theory of Logic / E. Structures of Logic / 1. Logical Form
Translating into quantificational idiom offers no clues as to how ordinary thinkers reason [Sommers]
5. Theory of Logic / E. Structures of Logic / 2. Logical Connectives / c. not
Sommers promotes the old idea that negation basically refers to terms [Sommers, by Engelbretsen]
5. Theory of Logic / E. Structures of Logic / 7. Predicates in Logic
Predicates form a hierarchy, from the most general, down to names at the bottom [Sommers]
7. Existence / D. Theories of Reality / 2. Realism
Unfortunately for realists, modern logic cannot say that some fact exists [Sommers]
7. Existence / E. Categories / 1. Categories
Categories can't overlap; they are either disjoint, or inclusive [Sommers, by Westerhoff]
19. Language / B. Reference / 1. Reference theories
In standard logic, names are the only way to refer [Sommers]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Good art produces exaltation and detachment [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
The word 'beauty' leads to confusion, because it denotes distinct emotions [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 5. Natural Beauty
Our feeling for natural beauty is different from the aesthetic emotion of art [Bell,C]
We only see landscapes as artistic if we ignore their instrumental value [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
Visual form can create a sublime mental state [Bell,C]
21. Aesthetics / B. Nature of Art / 1. Defining Art
Art is the expression of an emotion for ultimate reality [Bell,C]
Aestheticism invites artist to create beauty, but with no indication of how to do it [Bell,C]
21. Aesthetics / B. Nature of Art / 2. Art as Form
Only artists can discern significant form; other people must look to art to find it [Bell,C, by Gardner]
Maybe significant form gives us a feeling for ultimate reality [Bell,C]
Significant form is the essence of art, which I believe expresses an emotion about reality [Bell,C]
'Form' is visual relations, and it is 'significant' if it moves us aesthetically; art needs both [Bell,C, by Feagin]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
The only expression art could have is the emotion resulting from pure form [Bell,C]
21. Aesthetics / C. Artistic Issues / 2. Copies of Art
Mere copies of pictures are not significant - unless the copies are very exact [Bell,C]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
Art is distinguished by its aesthetic emotion, which produces appropriate form [Bell,C]
21. Aesthetics / C. Artistic Issues / 6. Value of Art
Aesthetic contemplation is the best and most intense mental state [Bell,C]
Aesthetic experience is an exaltation which increases the possibilities of life [Bell,C]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
Only artistic qualities matter in art, because they also have the highest moral value [Bell,C]
25. Social Practice / F. Life Issues / 6. Animal Rights
Animals are dangerous and nourishing, and can't form contracts of justice [Hermarchus, by Sedley]
29. Religion / D. Religious Issues / 1. Religious Commitment / a. Religious Belief
Religion sees infinite value in some things, and irrelevance in the rest [Bell,C]