Combining Philosophers

All the ideas for Hermarchus, Roger Fry and Earl Conee

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21 ideas

13. Knowledge Criteria / B. Internal Justification / 3. Evidentialism / b. Evidentialism
19520 Evidentialism is not axiomatic; the evidence itself inclines us towards evidentialism [Conee]
13. Knowledge Criteria / C. External Justification / 3. Reliabilism / b. Anti-reliabilism
19521 If pure guesses were reliable, reliabilists would have to endorse them [Conee]
19522 More than actual reliability is needed, since I may mistakenly doubt what is reliable [Conee]
19523 Reliabilism is poor on reflective judgements about hypothetical cases [Conee]
13. Knowledge Criteria / C. External Justification / 6. Contextual Justification / a. Contextualism
19555 People begin to doubt whether they 'know' when the answer becomes more significant [Conee]
13. Knowledge Criteria / C. External Justification / 6. Contextual Justification / b. Invariantism
19557 Maybe low knowledge standards are loose talk; people will deny that it is 'really and truly' knowledge [Conee]
19556 Maybe knowledge has fixed standards (high, but attainable), although people apply contextual standards [Conee]
12890 That standards vary with context doesn't imply different truth-conditions for judgements [Conee]
12892 Maybe there is only one context (the 'really and truly' one) for serious discussions of knowledge [Conee]
16. Persons / C. Self-Awareness / 3. Limits of Introspection
20429 Most of us are too close to our own motives to understand them [Fry]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
20424 Imaginative life requires no action, so new kinds of perception and values emerge in art [Fry]
20427 Everyone reveals an aesthetic attitude, looking at something which only exists to be seen [Fry]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
20433 'Beauty' can either mean sensuous charm, or the aesthetic approval of art (which may be ugly) [Fry]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
20430 In life we neglect 'cosmic emotion', but it matters, and art brings it to the fore [Fry]
21. Aesthetics / B. Nature of Art / 2. Art as Form
20431 Art needs a mixture of order and variety in its sensations [Fry]
21. Aesthetics / B. Nature of Art / 3. Art as Imitation
20423 If graphic arts only aim at imitation, their works are only trivial ingenious toys [Fry]
20428 Popular opinion favours realism, yet most people never look closely at anything! [Fry]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
20432 When viewing art, rather than flowers, we are aware of purpose, and sympathy with its creator [Fry]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
20425 In the cinema the emotions are weaker, but much clearer than in ordinary life [Fry]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
20426 For pure moralists art must promote right action, and not just be harmless [Fry]
25. Social Practice / F. Life Issues / 6. Animal Rights
6005 Animals are dangerous and nourishing, and can't form contracts of justice [Hermarchus, by Sedley]