16 ideas
| 20429 | Most of us are too close to our own motives to understand them [Fry] |
| 20424 | Imaginative life requires no action, so new kinds of perception and values emerge in art [Fry] |
| 20427 | Everyone reveals an aesthetic attitude, looking at something which only exists to be seen [Fry] |
| 20433 | 'Beauty' can either mean sensuous charm, or the aesthetic approval of art (which may be ugly) [Fry] |
| 20430 | In life we neglect 'cosmic emotion', but it matters, and art brings it to the fore [Fry] |
| 20431 | Art needs a mixture of order and variety in its sensations [Fry] |
| 20423 | If graphic arts only aim at imitation, their works are only trivial ingenious toys [Fry] |
| 20428 | Popular opinion favours realism, yet most people never look closely at anything! [Fry] |
| 20432 | When viewing art, rather than flowers, we are aware of purpose, and sympathy with its creator [Fry] |
| 20425 | In the cinema the emotions are weaker, but much clearer than in ordinary life [Fry] |
| 22693 | The works we value most are in sympathy with our own moral views [John,E] |
| 22694 | We should understand what is morally important in a story, without having to endorse it [John,E] |
| 22695 | We value morality in art because that is what we care about - but it is a contingent fact [John,E] |
| 22692 | A work can be morally and artistically excellent, despite rejecting moral truth [John,E] |
| 20426 | For pure moralists art must promote right action, and not just be harmless [Fry] |
| 6005 | Animals are dangerous and nourishing, and can't form contracts of justice [Hermarchus, by Sedley] |