51 ideas
| 23966 | The personal view can still be objective, so I call sciences 'impersonal', rather than objective [Goldie] |
| 20339 | Classes rarely share properties with their members - unlike universals and types [Wollheim] |
| 24005 | We know other's emotions by explanation, contagion, empathy, imagination, or sympathy [Goldie] |
| 24006 | Empathy and imagining don't ensure sympathy, and sympathy doesn't need them [Goldie] |
| 20338 | We often treat a type as if it were a sort of token [Wollheim] |
| 23973 | Unlike moods, emotions have specific objects, though the difference is a matter of degree [Goldie] |
| 23974 | Emotional intentionality as belief and desire misses out the necessity of feelings [Goldie] |
| 23972 | A long lasting and evolving emotion is still seen as a single emotion, such as love [Goldie] |
| 23978 | 'Having an emotion' differs from 'being emotional' [Goldie] |
| 23992 | Some Aborigines have fifteen different words for types of fear [Goldie] |
| 23979 | Emotional responses can reveal to us our values, which might otherwise remain hidden [Goldie] |
| 23976 | If we have a 'feeling towards' an object, that gives the recognition a different content [Goldie] |
| 23977 | When actions are performed 'out of' emotion, they appear to be quite different [Goldie] |
| 23980 | It is best to see emotions holistically, as embedded in a person's life narrative [Goldie] |
| 23982 | If emotions are 'towards' things, they can't be bodily feelings, which lack aboutness [Goldie] |
| 23968 | If reasons are seen impersonally (as just causal), then feelings are an irrelevant extra [Goldie] |
| 23969 | We have feelings of which we are hardly aware towards things in the world [Goldie] |
| 23984 | An emotion needs episodes of feeling, but not continuously [Goldie] |
| 24001 | Moods can focus as emotions, and emotions can blur into moods [Goldie] |
| 23991 | Cross-cultural studies of facial expressions suggests seven basic emotions [Goldie] |
| 23970 | Emotions are not avocado pears, with a rigid core and changeable surface [Goldie] |
| 23985 | A basic emotion is the foundation of a hierarchy, such as anger for types of annoyance [Goldie] |
| 23986 | Early Chinese basic emotions: joy, anger, sadness, fear, love, disliking, and liking [Goldie] |
| 23971 | Emotional thought is not rational, but it can be intelligible [Goldie] |
| 23967 | Some emotions are direct responses, and neither rational nor irrational [Goldie] |
| 23975 | Learning an evaluative property like 'dangerous' is also learning an emotion [Goldie] |
| 23983 | We call emotions 'passions' because they are not as controlled as we would like [Goldie] |
| 23999 | Emotional control is hard, but we are responsible for our emotions over long time periods [Goldie] |
| 23994 | Emotions are not easily changed, as new knowledge makes little difference, and akrasia is possible [Goldie] |
| 23998 | Emotional control is less concerned with emotional incidents, and more with emotional tendencies [Goldie] |
| 23995 | Akrasia can be either overruling our deliberation, or failing to deliberate [Goldie] |
| 24000 | Justifying reasons say you were right; excusing reasons say your act was explicable [Goldie] |
| 20342 | Interpretation is performance for some arts, and critical for all arts [Wollheim] |
| 20343 | A love of nature must precede a love of art [Wollheim] |
| 20348 | A criterion of identity for works of art would be easier than a definition [Wollheim] |
| 20347 | If beauty needs organisation, then totally simple things can't be beautiful [Wollheim] |
| 20345 | Some say art must have verbalisable expression, and others say the opposite! [Wollheim] |
| 20331 | It is claimed that the expressive properties of artworks are non-physical [Wollheim] |
| 20336 | Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim] |
| 20337 | The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim] |
| 20333 | If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim] |
| 20334 | The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim] |
| 20335 | The ideal theory of art neglects both the audience and the medium employed [Wollheim] |
| 20340 | A musical performance has virtually the same features as the piece of music [Wollheim] |
| 20341 | An interpretation adds further properties to the generic piece of music [Wollheim] |
| 20332 | A drawing only represents Napoleon if the artist intended it to [Wollheim] |
| 24003 | Character traits are both possession of and lack of dispositions [Goldie] |
| 24002 | We over-estimate the role of character traits when explaining behaviour [Goldie] |
| 24004 | Psychologists suggest we are muddled about traits, and maybe they should be abandoned [Goldie] |
| 23993 | Our capabilities did not all evolve during the hunter gathering period [Goldie] |
| 1513 | The Egyptians were the first to say the soul is immortal and reincarnated [Herodotus] |