Combining Philosophers

All the ideas for Homer, Richard Wollheim and David S. Oderberg

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43 ideas

2. Reason / D. Definition / 5. Genus and Differentia
'Animal' is a genus and 'rational' is a specific difference [Oderberg]
Definition distinguishes one kind from another, and individuation picks out members of the kind [Oderberg]
6. Mathematics / A. Nature of Mathematics / 3. Nature of Numbers / a. Numbers
The Aristotelian view is that numbers depend on (and are abstracted from) other things [Oderberg]
7. Existence / A. Nature of Existence / 3. Being / a. Nature of Being
Being is substantial/accidental, complete/incomplete, necessary/contingent, possible, relative, intrinsic.. [Oderberg]
8. Modes of Existence / B. Properties / 13. Tropes / b. Critique of tropes
If tropes are in space and time, in what sense are they abstract? [Oderberg]
8. Modes of Existence / C. Powers and Dispositions / 4. Powers as Essence
We need to distinguish the essential from the non-essential powers [Oderberg]
8. Modes of Existence / E. Nominalism / 5. Class Nominalism
Classes rarely share properties with their members - unlike universals and types [Wollheim]
9. Objects / B. Unity of Objects / 2. Substance / e. Substance critique
Empiricists gave up 'substance', as unknowable substratum, or reducible to a bundle [Oderberg]
9. Objects / D. Essence of Objects / 1. Essences of Objects
Essences are real, about being, knowable, definable and classifiable [Oderberg, by PG]
9. Objects / D. Essence of Objects / 3. Individual Essences
Nominalism is consistent with individual but not with universal essences [Oderberg]
9. Objects / D. Essence of Objects / 6. Essence as Unifier
Essentialism is the main account of the unity of objects [Oderberg]
9. Objects / D. Essence of Objects / 8. Essence as Explanatory
Essence is not explanatory but constitutive [Oderberg]
9. Objects / D. Essence of Objects / 9. Essence and Properties
Properties are not part of an essence, but they flow from it [Oderberg]
9. Objects / D. Essence of Objects / 15. Against Essentialism
Could we replace essence with collections of powers? [Oderberg]
9. Objects / F. Identity among Objects / 8. Leibniz's Law
Leibniz's Law is an essentialist truth [Oderberg]
10. Modality / B. Possibility / 4. Potentiality
Bodies have act and potency, the latter explaining new kinds of existence [Oderberg]
10. Modality / E. Possible worlds / 1. Possible Worlds / e. Against possible worlds
Realism about possible worlds is circular, since it needs a criterion of 'possible' [Oderberg]
10. Modality / E. Possible worlds / 3. Transworld Objects / a. Transworld identity
Necessity of identity seems trivial, because it leaves out the real essence [Oderberg]
10. Modality / E. Possible worlds / 3. Transworld Objects / b. Rigid designation
Rigid designation has at least three essentialist presuppositions [Oderberg]
15. Nature of Minds / C. Capacities of Minds / 4. Objectification
We often treat a type as if it were a sort of token [Wollheim]
17. Mind and Body / A. Mind-Body Dualism / 8. Dualism of Mind Critique
Homer does not distinguish between soul and body [Homer, by Williams,B]
20. Action / B. Preliminaries of Action / 2. Willed Action / a. Will to Act
The 'will' doesn't exist; there is just conclusion, then action [Homer, by Williams,B]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
A love of nature must precede a love of art [Wollheim]
Interpretation is performance for some arts, and critical for all arts [Wollheim]
21. Aesthetics / B. Nature of Art / 1. Defining Art
A criterion of identity for works of art would be easier than a definition [Wollheim]
21. Aesthetics / B. Nature of Art / 2. Art as Form
If beauty needs organisation, then totally simple things can't be beautiful [Wollheim]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
It is claimed that the expressive properties of artworks are non-physical [Wollheim]
Some say art must have verbalisable expression, and others say the opposite! [Wollheim]
21. Aesthetics / B. Nature of Art / 6. Art as Institution
Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim]
The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim]
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim]
The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim]
The ideal theory of art neglects both the audience and the medium employed [Wollheim]
A musical performance has virtually the same features as the piece of music [Wollheim]
21. Aesthetics / B. Nature of Art / 8. The Arts / a. Music
An interpretation adds further properties to the generic piece of music [Wollheim]
21. Aesthetics / C. Artistic Issues / 3. Artistic Representation
A drawing only represents Napoleon if the artist intended it to [Wollheim]
22. Metaethics / C. The Good / 1. Goodness / a. Form of the Good
Plato says the Good produces the Intellectual-Principle, which in turn produces the Soul [Homer, by Plotinus]
24. Political Theory / C. Ruling a State / 2. Leaders / a. Autocracy
Let there be one ruler [Homer]
26. Natural Theory / A. Speculations on Nature / 3. Natural Function
Essence is the source of a thing's characteristic behaviour [Oderberg]
26. Natural Theory / A. Speculations on Nature / 6. Early Matter Theories / e. The One
What makes Parmenidean reality a One rather than a Many? [Oderberg]
26. Natural Theory / D. Laws of Nature / 8. Scientific Essentialism / a. Scientific essentialism
The real essentialist is not merely a scientist [Oderberg]
26. Natural Theory / D. Laws of Nature / 8. Scientific Essentialism / e. Anti scientific essentialism
The reductionism found in scientific essentialism is mistaken [Oderberg]
28. God / C. Attitudes to God / 5. Atheism
Homer so enjoys the company of the gods that he must have been deeply irreligious [Homer, by Nietzsche]