45 ideas
| 14248 | We could accept the integers as primitive, then use sets to construct the rest [Cohen] |
| 6504 | For physicalists, the only relations are spatial, temporal and causal [Robinson,H] |
| 6520 | If reality just has relational properties, what are its substantial ontological features? [Robinson,H] |
| 6485 | When a red object is viewed, the air in between does not become red [Robinson,H] |
| 6521 | Representative realists believe that laws of phenomena will apply to the physical world [Robinson,H] |
| 6509 | Representative realists believe some properties of sense-data are shared by the objects themselves [Robinson,H] |
| 6522 | Phenomenalism can be theistic (Berkeley), or sceptical (Hume), or analytic (20th century) [Robinson,H] |
| 6502 | Can we reduce perception to acquisition of information, which is reduced to causation or disposition? [Robinson,H] |
| 6513 | Would someone who recovered their sight recognise felt shapes just by looking? [Robinson,H] |
| 6512 | Secondary qualities have one sensory mode, but primary qualities can have more [Robinson,H] |
| 6497 | We say objects possess no intrinsic secondary qualities because physicists don't need them [Robinson,H] |
| 6494 | If objects are not coloured, and neither are sense-contents, we are left saying that nothing is coloured [Robinson,H] |
| 6499 | Shape can be experienced in different ways, but colour and sound only one way [Robinson,H] |
| 6500 | If secondary qualities match senses, would new senses create new qualities? [Robinson,H] |
| 6484 | Most moderate empiricists adopt Locke's representative theory of perception [Robinson,H] |
| 6508 | Sense-data leads to either representative realism or phenomenalism or idealism [Robinson,H] |
| 6480 | Sense-data do not have any intrinsic intentionality [Robinson,H] |
| 6482 | For idealists and phenomenalists sense-data are in objects; representative realists say they resemble objects [Robinson,H] |
| 6505 | Sense-data are rejected because they are a veil between us and reality, leading to scepticism [Robinson,H] |
| 6506 | 'Sense redly' sounds peculiar, but 'senses redly-squarely tablely' sounds far worse [Robinson,H] |
| 6507 | Adverbialism sees the contents of sense-experience as modes, not objects [Robinson,H] |
| 6511 | If there are only 'modes' of sensing, then an object can no more be red or square than it can be proud or lazy. [Robinson,H] |
| 6515 | An explanation presupposes something that is improbable unless it is explained [Robinson,H] |
| 6517 | If all possibilities are equal, order seems (a priori) to need an explanation - or does it? [Robinson,H] |
| 6481 | If intentional states are intrinsically about other things, what are their own properties? [Robinson,H] |
| 6503 | Physicalism cannot allow internal intentional objects, as brain states can't be 'about' anything [Robinson,H] |
| 23928 | Good art produces exaltation and detachment [Bell,C] |
| 23922 | The word 'beauty' leads to confusion, because it denotes distinct emotions [Bell,C] |
| 23921 | Our feeling for natural beauty is different from the aesthetic emotion of art [Bell,C] |
| 23929 | We only see landscapes as artistic if we ignore their instrumental value [Bell,C] |
| 23923 | Visual form can create a sublime mental state [Bell,C] |
| 23927 | Aestheticism invites artist to create beauty, but with no indication of how to do it [Bell,C] |
| 23932 | Art is the expression of an emotion for ultimate reality [Bell,C] |
| 8115 | Only artists can discern significant form; other people must look to art to find it [Bell,C, by Gardner] |
| 23924 | Maybe significant form gives us a feeling for ultimate reality [Bell,C] |
| 23931 | Significant form is the essence of art, which I believe expresses an emotion about reality [Bell,C] |
| 20434 | 'Form' is visual relations, and it is 'significant' if it moves us aesthetically; art needs both [Bell,C, by Feagin] |
| 23934 | The only expression art could have is the emotion resulting from pure form [Bell,C] |
| 23925 | Mere copies of pictures are not significant - unless the copies are very exact [Bell,C] |
| 23926 | Art is distinguished by its aesthetic emotion, which produces appropriate form [Bell,C] |
| 23935 | Aesthetic experience is an exaltation which increases the possibilities of life [Bell,C] |
| 23933 | Aesthetic contemplation is the best and most intense mental state [Bell,C] |
| 22691 | Only artistic qualities matter in art, because they also have the highest moral value [Bell,C] |
| 6519 | Locke's solidity is not matter, because that is impenetrability and hardness combined [Robinson,H] |
| 23930 | Religion sees infinite value in some things, and irrelevance in the rest [Bell,C] |