Combining Philosophers

All the ideas for J Fodor / E Lepore, G.E.M. Anscombe and Roger Fry

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23 ideas

15. Nature of Minds / B. Features of Minds / 5. Qualia / b. Qualia and intentionality
7439 The qualities involved in sensations are entirely intentional [Anscombe, by Armstrong]
16. Persons / C. Self-Awareness / 3. Limits of Introspection
20429 Most of us are too close to our own motives to understand them [Fry]
16. Persons / F. Free Will / 3. Constraints on the will
8353 Freedom involves acting according to an idea [Anscombe]
16. Persons / F. Free Will / 6. Determinism / a. Determinism
8352 To believe in determinism, one must believe in a system which determines events [Anscombe]
19. Language / A. Nature of Meaning / 7. Meaning Holism / b. Language holism
9381 If some inferences are needed to fix meaning, but we don't know which, they are all relevant [Fodor/Lepore, by Boghossian]
20. Action / B. Preliminaries of Action / 1. Intention to Act / a. Nature of intentions
20041 Intentional actions are those which are explained by giving the reason for so acting [Anscombe]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
20424 Imaginative life requires no action, so new kinds of perception and values emerge in art [Fry]
20427 Everyone reveals an aesthetic attitude, looking at something which only exists to be seen [Fry]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
20433 'Beauty' can either mean sensuous charm, or the aesthetic approval of art (which may be ugly) [Fry]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
20430 In life we neglect 'cosmic emotion', but it matters, and art brings it to the fore [Fry]
21. Aesthetics / B. Nature of Art / 2. Art as Form
20431 Art needs a mixture of order and variety in its sensations [Fry]
21. Aesthetics / B. Nature of Art / 3. Art as Imitation
20423 If graphic arts only aim at imitation, their works are only trivial ingenious toys [Fry]
20428 Popular opinion favours realism, yet most people never look closely at anything! [Fry]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
20432 When viewing art, rather than flowers, we are aware of purpose, and sympathy with its creator [Fry]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
20425 In the cinema the emotions are weaker, but much clearer than in ordinary life [Fry]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
20426 For pure moralists art must promote right action, and not just be harmless [Fry]
23. Ethics / C. Virtue Theory / 2. Elements of Virtue Theory / e. Character
8070 It would be better to point to failings of character, than to moral wrongness of actions [Anscombe]
23. Ethics / D. Deontological Ethics / 1. Deontology
8065 'Ought' and 'right' are survivals from earlier ethics, and should be jettisoned [Anscombe]
8069 Between Aristotle and us, a Judaeo-Christian legal conception of ethics was developed [Anscombe]
26. Natural Theory / C. Causation / 5. Direction of causation
8351 With diseases we easily trace a cause from an effect, but we cannot predict effects [Anscombe]
26. Natural Theory / C. Causation / 6. Causation as primitive
4777 The word 'cause' is an abstraction from a group of causal terms in a language (scrape, push..) [Anscombe]
26. Natural Theory / C. Causation / 8. Particular Causation / b. Causal relata
10363 Causation is relative to how we describe the primary relata [Anscombe, by Schaffer,J]
26. Natural Theory / C. Causation / 8. Particular Causation / c. Conditions of causation
8350 Since Mill causation has usually been explained by necessary and sufficient conditions [Anscombe]