Combining Philosophers

All the ideas for Jacques Lenfant, Gary Kemp and Paul Audi

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17 ideas

7. Existence / C. Structure of Existence / 1. Grounding / a. Nature of grounding
Avoid 'in virtue of' for grounding, since it might imply a reflexive relation such as identity [Audi,P]
Ground relations depend on the properties [Audi,P]
A ball's being spherical non-causally determines its power to roll [Audi,P]
Ground is irreflexive, asymmetric, transitive, non-monotonic etc. [Audi,P]
The best critique of grounding says it is actually either identity or elimination [Audi,P]
7. Existence / C. Structure of Existence / 1. Grounding / b. Relata of grounding
Grounding is a singular relation between worldly facts [Audi,P]
If grounding relates facts, properties must be included, as well as objects [Audi,P]
7. Existence / C. Structure of Existence / 1. Grounding / c. Grounding and explanation
We must accept grounding, for our important explanations [Audi,P]
7. Existence / C. Structure of Existence / 1. Grounding / d. Grounding and reduction
Reduction is just identity, so the two things are the same fact, so reduction isn't grounding [Audi,P]
7. Existence / D. Theories of Reality / 8. Facts / b. Types of fact
Worldly facts are obtaining states of affairs, with constituents; conceptual facts also depend on concepts [Audi,P]
8. Modes of Existence / C. Powers and Dispositions / 4. Powers as Essence
The question is whether force is self-sufficient in bodies, and essential, or dependent on something [Lenfant]
14. Science / D. Explanation / 2. Types of Explanation / a. Types of explanation
Two things being identical (like water and H2O) is not an explanation [Audi,P]
14. Science / D. Explanation / 2. Types of Explanation / g. Causal explanations
There are plenty of examples of non-causal explanation [Audi,P]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
Expression can be either necessary for art, or sufficient for art (or even both) [Kemp]
We don't already know what to express, and then seek means of expressing it [Kemp]
The horror expressed in some works of art could equallly be expressed by other means [Kemp]