53 ideas
| 15477 | Ontology is highly abstract physics, containing placeholders and exclusions [Martin,CB] |
| 20388 | 'Necessary' conditions are requirements, and 'sufficient' conditions are guarantees [Davies,S] |
| 20389 | A definition of a thing gives all the requirements which add up to a guarantee of it [Davies,S] |
| 20391 | Feminists warn that ideologies use timeless objective definitions as a tool of repression [Davies,S] |
| 15471 | Truth is a relation between a representation ('bearer') and part of the world ('truthmaker') [Martin,CB] |
| 15484 | A property is a combination of a disposition and a quality [Martin,CB] |
| 15478 | Properties are the respects in which objects resemble, which places them in classes [Martin,CB] |
| 15483 | Properties are ways particular things are, and so they are tied to the identity of their possessor [Martin,CB] |
| 15480 | Objects are not bundles of tropes (which are ways things are, not parts of things) [Martin,CB] |
| 15489 | A property that cannot interact is worse than inert - it isn't there at all [Martin,CB] |
| 15487 | If unmanifested partnerless dispositions are still real, and are not just qualities, they can explain properties [Martin,CB] |
| 15479 | Properties endow a ball with qualities, and with powers or dispositions [Martin,CB] |
| 15488 | Qualities and dispositions are aspects of properties - what it exhibits, and what it does [Martin,CB] |
| 15469 | Dispositions in action can be destroyed, be recovered, or remain unchanged [Martin,CB] |
| 15467 | Powers depend on circumstances, so can't be given a conditional analysis [Martin,CB] |
| 15466 | 'The wire is live' can't be analysed as a conditional, because a wire can change its powers [Martin,CB] |
| 15476 | Structural properties involve dispositionality, so cannot be used to explain it [Martin,CB] |
| 15465 | Structures don't explain dispositions, because they consist of dispositions [Martin,CB] |
| 15481 | I favour the idea of a substratum for properties; spacetime seems to be just a bearer of properties [Martin,CB] |
| 15474 | Properly understood, wholes do no more causal work than their parts [Martin,CB] |
| 15486 | Only abstract things can have specific and full identity specifications [Martin,CB] |
| 15475 | The concept of 'identity' must allow for some changes in properties or parts [Martin,CB] |
| 15472 | It is pointless to say possible worlds are truthmakers, and then deny that possible worlds exist [Martin,CB] |
| 15492 | Explanations are mind-dependent, theory-laden, and interest-relative [Martin,CB] |
| 15495 | Analogy works, as when we eat food which others seem to be relishing [Martin,CB] |
| 15493 | Memory requires abstraction, as reminders of what cannot be fully remembered [Martin,CB] |
| 20387 | Aesthetic experience involves perception, but also imagination and understanding [Davies,S] |
| 20385 | The faculty of 'taste' was posited to explain why only some people had aesthetic appreciation [Davies,S] |
| 20386 | The sublime is negative in awareness of insignificance, and positive in showing understanding [Davies,S] |
| 20384 | The idea that art forms are linked into a single concept began in the 1740s [Davies,S] |
| 20390 | Defining art as representation or expression or form were all undermined by the avant-garde [Davies,S] |
| 20392 | 'Aesthetic functionalism' says art is what is intended to create aesthetic experiences [Davies,S] |
| 20405 | Music may be expressive by being 'associated' with other emotional words or events [Davies,S] |
| 20403 | It seems unlikely that sad music expresses a composer's sadness; it takes ages to write [Davies,S] |
| 20393 | The 'institutional' theory says art is just something appropriately placed in the 'artworld' [Davies,S] |
| 20402 | Music is too definite to be put into words (not too indefinite!) [Davies,S] |
| 20395 | The title of a painting can be vital, and the artist decrees who the portrait represents [Davies,S] |
| 20396 | We must know what the work is meant to be, to evaluate the artist's achievement [Davies,S] |
| 20399 | Intentionalism says either meaning just is intention, or ('moderate') meaning is successful intention [Davies,S] |
| 20401 | The meaning is given by the audience's best guess at the author's intentions [Davies,S] |
| 20397 | If we could perfectly clone the Mona Lisa, the original would still be special [Davies,S] |
| 20398 | Art that is multiply instanced may require at least one instance [Davies,S] |
| 20404 | Music isn't just sad because it makes the listener feel sad [Davies,S] |
| 22705 | If the depiction of evil is glorified, that is an artistic flaw [Davies,S] |
| 22707 | It is an artistic defect if excessive moral outrage distorts the story, and narrows our sympathies [Davies,S] |
| 22706 | A work which seeks approval for immorality, but alienates the audience, is a failure [Davies,S] |
| 22704 | Immorality may or may not be an artistic defect [Davies,S] |
| 20930 | The existence of law is one thing, its merits and demerits another [Austin,J] |
| 15485 | Instead of a cause followed by an effect, we have dispositions in reciprocal manifestation [Martin,CB] |
| 15491 | Causation should be explained in terms of dispositions and manifestations [Martin,CB] |
| 15468 | Causal counterfactuals are just clumsy linguistic attempts to indicate dispositions [Martin,CB] |
| 15470 | Causal laws are summaries of powers [Martin,CB] |
| 15482 | We can't think of space-time as empty and propertyless, and it seems to be a substratum [Martin,CB] |