54 ideas
| 20388 | 'Necessary' conditions are requirements, and 'sufficient' conditions are guarantees [Davies,S] |
| 1403 | A rational donkey would starve to death between two totally identical piles of hay [Buridan, by PG] |
| 20389 | A definition of a thing gives all the requirements which add up to a guarantee of it [Davies,S] |
| 20391 | Feminists warn that ideologies use timeless objective definitions as a tool of repression [Davies,S] |
| 10455 | Free logic at least allows empty names, but struggles to express non-existence [Bach] |
| 10454 | In first-order we can't just assert existence, and it is very hard to deny something's existence [Bach] |
| 10453 | In logic constants play the role of proper names [Bach] |
| 10452 | Proper names can be non-referential - even predicate as well as attributive uses [Bach] |
| 10456 | Millian names struggle with existence, empty names, identities and attitude ascription [Bach] |
| 10440 | An object can be described without being referred to [Bach] |
| 10444 | Definite descriptions can be used to refer, but are not semantically referential [Bach] |
| 16678 | Without magnitude a thing would retain its parts, but they would have no location [Buridan] |
| 16793 | A thing is (less properly) the same over time if each part is succeeded by another [Buridan] |
| 16726 | Why can't we deduce secondary qualities from primary ones, if they cause them? [Buridan] |
| 12900 | How could 'S knows he has hands' not have a fixed content? [Bach] |
| 12901 | If contextualism is right, knowledge sentences are baffling out of their context [Bach] |
| 12902 | Sceptics aren't changing the meaning of 'know', but claiming knowing is tougher than we think [Bach] |
| 16577 | Induction is not demonstration, because not all of the instances can be observed [Buridan] |
| 16576 | Science is based on induction, for general truths about fire, rhubarb and magnets [Buridan] |
| 10446 | Fictional reference is different inside and outside the fiction [Bach] |
| 10447 | We can refer to fictional entities if they are abstract objects [Bach] |
| 10443 | You 'allude to', not 'refer to', an individual if you keep their identity vague [Bach] |
| 10439 | What refers: indefinite or definite or demonstrative descriptions, names, indexicals, demonstratives? [Bach] |
| 10441 | If we can refer to things which change, we can't be obliged to single out their properties [Bach] |
| 10442 | We can think of an individual without have a uniquely characterizing description [Bach] |
| 10445 | It can't be real reference if it could refer to some other thing that satisfies the description [Bach] |
| 10457 | Since most expressions can be used non-referentially, none of them are inherently referential [Bach] |
| 10463 | Just alluding to or describing an object is not the same as referring to it [Bach] |
| 10459 | Context does not create reference; it is just something speakers can exploit [Bach] |
| 10460 | 'That duck' may not refer to the most obvious one in the group [Bach] |
| 10461 | What a pronoun like 'he' refers back to is usually a matter of speaker's intentions [Bach] |
| 10462 | Information comes from knowing who is speaking, not just from interpretation of the utterance [Bach] |
| 10458 | People slide from contextual variability all the way to contextual determination [Bach] |
| 20387 | Aesthetic experience involves perception, but also imagination and understanding [Davies,S] |
| 20385 | The faculty of 'taste' was posited to explain why only some people had aesthetic appreciation [Davies,S] |
| 20386 | The sublime is negative in awareness of insignificance, and positive in showing understanding [Davies,S] |
| 20384 | The idea that art forms are linked into a single concept began in the 1740s [Davies,S] |
| 20390 | Defining art as representation or expression or form were all undermined by the avant-garde [Davies,S] |
| 20392 | 'Aesthetic functionalism' says art is what is intended to create aesthetic experiences [Davies,S] |
| 20405 | Music may be expressive by being 'associated' with other emotional words or events [Davies,S] |
| 20403 | It seems unlikely that sad music expresses a composer's sadness; it takes ages to write [Davies,S] |
| 20393 | The 'institutional' theory says art is just something appropriately placed in the 'artworld' [Davies,S] |
| 20402 | Music is too definite to be put into words (not too indefinite!) [Davies,S] |
| 20395 | The title of a painting can be vital, and the artist decrees who the portrait represents [Davies,S] |
| 20396 | We must know what the work is meant to be, to evaluate the artist's achievement [Davies,S] |
| 20399 | Intentionalism says either meaning just is intention, or ('moderate') meaning is successful intention [Davies,S] |
| 20401 | The meaning is given by the audience's best guess at the author's intentions [Davies,S] |
| 20397 | If we could perfectly clone the Mona Lisa, the original would still be special [Davies,S] |
| 20398 | Art that is multiply instanced may require at least one instance [Davies,S] |
| 20404 | Music isn't just sad because it makes the listener feel sad [Davies,S] |
| 22704 | Immorality may or may not be an artistic defect [Davies,S] |
| 22705 | If the depiction of evil is glorified, that is an artistic flaw [Davies,S] |
| 22707 | It is an artistic defect if excessive moral outrage distorts the story, and narrows our sympathies [Davies,S] |
| 22706 | A work which seeks approval for immorality, but alienates the audience, is a failure [Davies,S] |