Combining Philosophers

All the ideas for John Buridan, Lamargue,P/Olson,SH and U Kriegel / K Williford

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14 ideas

2. Reason / A. Nature of Reason / 9. Limits of Reason
A rational donkey would starve to death between two totally identical piles of hay [Buridan, by PG]
9. Objects / C. Structure of Objects / 4. Quantity of an Object
Without magnitude a thing would retain its parts, but they would have no location [Buridan]
9. Objects / E. Objects over Time / 8. Continuity of Rivers
A thing is (less properly) the same over time if each part is succeeded by another [Buridan]
12. Knowledge Sources / B. Perception / 2. Qualities in Perception / b. Primary/secondary
Why can't we deduce secondary qualities from primary ones, if they cause them? [Buridan]
14. Science / A. Basis of Science / 2. Demonstration
Induction is not demonstration, because not all of the instances can be observed [Buridan]
14. Science / C. Induction / 2. Aims of Induction
Science is based on induction, for general truths about fire, rhubarb and magnets [Buridan]
15. Nature of Minds / B. Features of Minds / 1. Consciousness / e. Cause of consciousness
Consciousness is reductively explained either by how it represents, or how it is represented [Kriegel/Williford]
Experiences can be represented consciously or unconsciously, so representation won't explain consciousness [Kriegel/Williford]
Red tomato experiences are conscious if the state represents the tomato and itself [Kriegel/Williford]
How is self-representation possible, does it produce a regress, and is experience like that? [Kriegel/Williford]
15. Nature of Minds / B. Features of Minds / 1. Consciousness / f. Higher-order thought
Unfortunately, higher-order representations could involve error [Kriegel/Williford]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
Modern attention has moved from the intrinsic properties of art to its relational properties [Lamarque/Olson]
21. Aesthetics / B. Nature of Art / 1. Defining Art
Early 20th cent attempts at defining art focused on significant form, intuition, expression, unity [Lamarque/Olson]
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
The dualistic view says works of art are either abstract objects (types), or physical objects [Lamarque/Olson]