17 ideas
22353 | One view says objectivity is making a successful claim which captures the facts [Reiss/Sprenger] |
22356 | An absolute scientific picture of reality must not involve sense experience, which is perspectival [Reiss/Sprenger] |
22359 | Topic and application involve values, but can evidence and theory choice avoid them? [Reiss/Sprenger] |
22360 | The Value-Free Ideal in science avoids contextual values, but embraces epistemic values [Reiss/Sprenger] |
22362 | Value-free science needs impartial evaluation, theories asserting facts, and right motivation [Reiss/Sprenger] |
22364 | Thermometers depend on the substance used, and none of them are perfect [Reiss/Sprenger] |
10911 | Part-whole is the key relation among truth-makers [Mulligan/Simons/Smith] |
10909 | Truth-makers cannot be the designata of the sentences they make true [Mulligan/Simons/Smith] |
10906 | Moments (objects which cannot exist alone) may serve as truth-makers [Mulligan/Simons/Smith] |
10907 | The truth-maker for a sentence may not be unique, or may be a combination, or several separate items [Mulligan/Simons/Smith] |
10912 | Despite negative propositions, truthmakers are not logical complexes, but ordinary experiences [Mulligan/Simons/Smith] |
10908 | Correspondence has to invoke facts or states of affairs, just to serve as truth-makers [Mulligan/Simons/Smith] |
22357 | The 'experimenter's regress' says success needs reliability, which is only tested by success [Reiss/Sprenger] |
22365 | The Bayesian approach is explicitly subjective about probabilities [Reiss/Sprenger] |
20327 | Modern attention has moved from the intrinsic properties of art to its relational properties [Lamarque/Olson] |
20326 | Early 20th cent attempts at defining art focused on significant form, intuition, expression, unity [Lamarque/Olson] |
20330 | The dualistic view says works of art are either abstract objects (types), or physical objects [Lamarque/Olson] |