Combining Philosophers

All the ideas for Lamargue,P/Olson,SH, Reiss,J/Spreger,J and Mulligan/Simons/Smith

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17 ideas

2. Reason / A. Nature of Reason / 5. Objectivity
One view says objectivity is making a successful claim which captures the facts [Reiss/Sprenger]
An absolute scientific picture of reality must not involve sense experience, which is perspectival [Reiss/Sprenger]
Topic and application involve values, but can evidence and theory choice avoid them? [Reiss/Sprenger]
The Value-Free Ideal in science avoids contextual values, but embraces epistemic values [Reiss/Sprenger]
Value-free science needs impartial evaluation, theories asserting facts, and right motivation [Reiss/Sprenger]
Thermometers depend on the substance used, and none of them are perfect [Reiss/Sprenger]
3. Truth / B. Truthmakers / 2. Truthmaker Relation
Part-whole is the key relation among truth-makers [Mulligan/Simons/Smith]
3. Truth / B. Truthmakers / 5. What Makes Truths / a. What makes truths
Truth-makers cannot be the designata of the sentences they make true [Mulligan/Simons/Smith]
Moments (objects which cannot exist alone) may serve as truth-makers [Mulligan/Simons/Smith]
The truth-maker for a sentence may not be unique, or may be a combination, or several separate items [Mulligan/Simons/Smith]
Despite negative propositions, truthmakers are not logical complexes, but ordinary experiences [Mulligan/Simons/Smith]
3. Truth / C. Correspondence Truth / 3. Correspondence Truth critique
Correspondence has to invoke facts or states of affairs, just to serve as truth-makers [Mulligan/Simons/Smith]
14. Science / A. Basis of Science / 3. Experiment
The 'experimenter's regress' says success needs reliability, which is only tested by success [Reiss/Sprenger]
14. Science / C. Induction / 6. Bayes's Theorem
The Bayesian approach is explicitly subjective about probabilities [Reiss/Sprenger]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
Modern attention has moved from the intrinsic properties of art to its relational properties [Lamarque/Olson]
21. Aesthetics / B. Nature of Art / 1. Defining Art
Early 20th cent attempts at defining art focused on significant form, intuition, expression, unity [Lamarque/Olson]
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
The dualistic view says works of art are either abstract objects (types), or physical objects [Lamarque/Olson]