37 ideas
20388 | 'Necessary' conditions are requirements, and 'sufficient' conditions are guarantees [Davies,S] |
20389 | A definition of a thing gives all the requirements which add up to a guarantee of it [Davies,S] |
20391 | Feminists warn that ideologies use timeless objective definitions as a tool of repression [Davies,S] |
7306 | If the only property of a name was its reference, we couldn't explain bearerless names [Miller,A] |
16062 | A necessary relation between fact-levels seems to be a further irreducible fact [Lynch/Glasgow] |
16061 | If some facts 'logically supervene' on some others, they just redescribe them, adding nothing [Lynch/Glasgow] |
16060 | Nonreductive materialism says upper 'levels' depend on lower, but don't 'reduce' [Lynch/Glasgow] |
16064 | The hallmark of physicalism is that each causal power has a base causal power under it [Lynch/Glasgow] |
7322 | Constitutive scepticism is about facts, and epistemological scepticism about our ability to know them [Miller,A] |
7325 | Dispositions say what we will do, not what we ought to do, so can't explain normativity [Miller,A] |
7324 | Explain meaning by propositional attitudes, or vice versa, or together? [Miller,A] |
7323 | If truth is deflationary, sentence truth-conditions just need good declarative syntax [Miller,A] |
7315 | 'Jones is a married bachelor' does not have the logical form of a contradiction [Miller,A] |
7328 | The principle of charity is holistic, saying we must hold most of someone's system of beliefs to be true [Miller,A] |
7329 | Maybe we should interpret speakers as intelligible, rather than speaking truth [Miller,A] |
20387 | Aesthetic experience involves perception, but also imagination and understanding [Davies,S] |
20385 | The faculty of 'taste' was posited to explain why only some people had aesthetic appreciation [Davies,S] |
20386 | The sublime is negative in awareness of insignificance, and positive in showing understanding [Davies,S] |
20384 | The idea that art forms are linked into a single concept began in the 1740s [Davies,S] |
20390 | Defining art as representation or expression or form were all undermined by the avant-garde [Davies,S] |
20392 | 'Aesthetic functionalism' says art is what is intended to create aesthetic experiences [Davies,S] |
20405 | Music may be expressive by being 'associated' with other emotional words or events [Davies,S] |
20403 | It seems unlikely that sad music expresses a composer's sadness; it takes ages to write [Davies,S] |
20393 | The 'institutional' theory says art is just something appropriately placed in the 'artworld' [Davies,S] |
20402 | Music is too definite to be put into words (not too indefinite!) [Davies,S] |
20395 | The title of a painting can be vital, and the artist decrees who the portrait represents [Davies,S] |
20396 | We must know what the work is meant to be, to evaluate the artist's achievement [Davies,S] |
20399 | Intentionalism says either meaning just is intention, or ('moderate') meaning is successful intention [Davies,S] |
20401 | The meaning is given by the audience's best guess at the author's intentions [Davies,S] |
20397 | If we could perfectly clone the Mona Lisa, the original would still be special [Davies,S] |
20398 | Art that is multiply instanced may require at least one instance [Davies,S] |
20404 | Music isn't just sad because it makes the listener feel sad [Davies,S] |
22705 | If the depiction of evil is glorified, that is an artistic flaw [Davies,S] |
22707 | It is an artistic defect if excessive moral outrage distorts the story, and narrows our sympathies [Davies,S] |
22704 | Immorality may or may not be an artistic defect [Davies,S] |
22706 | A work which seeks approval for immorality, but alienates the audience, is a failure [Davies,S] |
7333 | The Frege-Geach problem is that I can discuss the wrongness of murder without disapproval [Miller,A] |