16 ideas
16062 | A necessary relation between fact-levels seems to be a further irreducible fact [Lynch/Glasgow] |
16061 | If some facts 'logically supervene' on some others, they just redescribe them, adding nothing [Lynch/Glasgow] |
16060 | Nonreductive materialism says upper 'levels' depend on lower, but don't 'reduce' [Lynch/Glasgow] |
16064 | The hallmark of physicalism is that each causal power has a base causal power under it [Lynch/Glasgow] |
22687 | Maybe literary assessment is evaluating the artist as a suitable friend [Gaut] |
22686 | Formalists say aesthetics concerns types of beauty, or unity, complexity and intensity [Gaut] |
20400 | Intentions either succeed or fail, so external evidence for them is always irrelevant [Wimsatt/Beardsley, by Davies,S] |
7266 | The author's intentions are irrelevant to the judgement of a work's success [Wimsatt/Beardsley] |
7267 | Poetry, unlike messages, can be successful without communicating intentions [Wimsatt/Beardsley] |
7268 | The thoughts of a poem should be imputed to the dramatic speaker, and hardly at all to the poet [Wimsatt/Beardsley] |
7269 | The intentional fallacy is a romantic one [Wimsatt/Beardsley] |
7271 | Biography can reveal meanings and dramatic character, as well as possible intentions [Wimsatt/Beardsley] |
22690 | 'Moralism' says all aesthetic merits are moral merits [Gaut] |
22684 | Good ethics counts towards aesthetic merit, and bad ethics counts against it [Gaut] |
22689 | If we don't respond ethically in the way a work prescribes, that is an aesthetic failure [Gaut] |
22685 | Good art does not necessarily improve people (any more than good advice does) [Gaut] |