Combining Philosophers

All the ideas for Lynch,MP/Glasgow,JM, Earl Conee and Leo Tolstoy

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20 ideas

7. Existence / C. Structure of Existence / 3. Levels of Reality
A necessary relation between fact-levels seems to be a further irreducible fact [Lynch/Glasgow]
7. Existence / C. Structure of Existence / 5. Supervenience / c. Significance of supervenience
If some facts 'logically supervene' on some others, they just redescribe them, adding nothing [Lynch/Glasgow]
7. Existence / D. Theories of Reality / 6. Physicalism
Nonreductive materialism says upper 'levels' depend on lower, but don't 'reduce' [Lynch/Glasgow]
The hallmark of physicalism is that each causal power has a base causal power under it [Lynch/Glasgow]
13. Knowledge Criteria / B. Internal Justification / 3. Evidentialism / b. Evidentialism
Evidentialism is not axiomatic; the evidence itself inclines us towards evidentialism [Conee]
13. Knowledge Criteria / C. External Justification / 3. Reliabilism / b. Anti-reliabilism
If pure guesses were reliable, reliabilists would have to endorse them [Conee]
More than actual reliability is needed, since I may mistakenly doubt what is reliable [Conee]
Reliabilism is poor on reflective judgements about hypothetical cases [Conee]
13. Knowledge Criteria / C. External Justification / 6. Contextual Justification / a. Contextualism
People begin to doubt whether they 'know' when the answer becomes more significant [Conee]
13. Knowledge Criteria / C. External Justification / 6. Contextual Justification / b. Invariantism
Maybe low knowledge standards are loose talk; people will deny that it is 'really and truly' knowledge [Conee]
Maybe knowledge has fixed standards (high, but attainable), although people apply contextual standards [Conee]
That standards vary with context doesn't imply different truth-conditions for judgements [Conee]
Maybe there is only one context (the 'really and truly' one) for serious discussions of knowledge [Conee]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
True works of art transmit completely new feelings [Tolstoy]
Art is when one man uses external signs to hand on his feelings to another man [Tolstoy]
The highest feelings of mankind can only be transmitted by art [Tolstoy]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
The purpose of art is to help mankind to evolve better, more socially beneficial feelings [Tolstoy]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
People estimate art according to their moral values [Tolstoy]
The upper classes put beauty first, and thus freed themselves from morality [Tolstoy]
We separate the concept of beauty from goodness, unlike the ancients [Tolstoy]