Combining Philosophers

All the ideas for Lynch,MP/Glasgow,JM, Iris Murdoch and Stephen Davies

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50 ideas

1. Philosophy / D. Nature of Philosophy / 2. Invocation to Philosophy
An unexamined life can be virtuous [Murdoch]
1. Philosophy / D. Nature of Philosophy / 5. Aims of Philosophy / d. Philosophy as puzzles
Philosophy must keep returning to the beginning [Murdoch]
1. Philosophy / E. Nature of Metaphysics / 3. Metaphysical Systems
Philosophy moves continually between elaborate theories and the obvious facts [Murdoch]
1. Philosophy / F. Analytic Philosophy / 3. Analysis of Preconditions
'Necessary' conditions are requirements, and 'sufficient' conditions are guarantees [Davies,S]
2. Reason / D. Definition / 1. Definitions
A definition of a thing gives all the requirements which add up to a guarantee of it [Davies,S]
2. Reason / D. Definition / 13. Against Definition
Feminists warn that ideologies use timeless objective definitions as a tool of repression [Davies,S]
7. Existence / C. Structure of Existence / 3. Levels of Reality
A necessary relation between fact-levels seems to be a further irreducible fact [Lynch/Glasgow]
7. Existence / C. Structure of Existence / 5. Supervenience / c. Significance of supervenience
If some facts 'logically supervene' on some others, they just redescribe them, adding nothing [Lynch/Glasgow]
7. Existence / D. Theories of Reality / 6. Physicalism
Nonreductive materialism says upper 'levels' depend on lower, but don't 'reduce' [Lynch/Glasgow]
The hallmark of physicalism is that each causal power has a base causal power under it [Lynch/Glasgow]
15. Nature of Minds / C. Capacities of Minds / 6. Idealisation
We know perfection when we see what is imperfect [Murdoch]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Aesthetic experience involves perception, but also imagination and understanding [Davies,S]
21. Aesthetics / A. Aesthetic Experience / 3. Taste
The faculty of 'taste' was posited to explain why only some people had aesthetic appreciation [Davies,S]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
The sublime is negative in awareness of insignificance, and positive in showing understanding [Davies,S]
21. Aesthetics / B. Nature of Art / 1. Defining Art
We should first decide what are the great works of art, with aesthetic theory following from that [Murdoch]
The idea that art forms are linked into a single concept began in the 1740s [Davies,S]
Defining art as representation or expression or form were all undermined by the avant-garde [Davies,S]
'Aesthetic functionalism' says art is what is intended to create aesthetic experiences [Davies,S]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
Music may be expressive by being 'associated' with other emotional words or events [Davies,S]
It seems unlikely that sad music expresses a composer's sadness; it takes ages to write [Davies,S]
21. Aesthetics / B. Nature of Art / 6. Art as Institution
The 'institutional' theory says art is just something appropriately placed in the 'artworld' [Davies,S]
21. Aesthetics / B. Nature of Art / 8. The Arts / a. Music
Music is too definite to be put into words (not too indefinite!) [Davies,S]
21. Aesthetics / B. Nature of Art / 8. The Arts / b. Literature
Literature is the most important aspect of culture, because it teaches understanding of living [Murdoch]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
The title of a painting can be vital, and the artist decrees who the portrait represents [Davies,S]
We must know what the work is meant to be, to evaluate the artist's achievement [Davies,S]
Intentionalism says either meaning just is intention, or ('moderate') meaning is successful intention [Davies,S]
The meaning is given by the audience's best guess at the author's intentions [Davies,S]
21. Aesthetics / C. Artistic Issues / 2. Copies of Art
If we could perfectly clone the Mona Lisa, the original would still be special [Davies,S]
Art that is multiply instanced may require at least one instance [Davies,S]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
Music isn't just sad because it makes the listener feel sad [Davies,S]
21. Aesthetics / C. Artistic Issues / 6. Value of Art
Great art proves the absurdity of art for art's sake [Murdoch]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
Because art is love, it improves us morally [Murdoch]
Appreciating beauty in art or nature opens up the good life, by restricting selfishness [Murdoch]
If the depiction of evil is glorified, that is an artistic flaw [Davies,S]
It is an artistic defect if excessive moral outrage distorts the story, and narrows our sympathies [Davies,S]
Art and morals are essentially the same, and are both identical with love [Murdoch]
A work which seeks approval for immorality, but alienates the audience, is a failure [Davies,S]
Immorality may or may not be an artistic defect [Davies,S]
22. Metaethics / B. Value / 2. Values / g. Love
Love is realising something other than oneself is real [Murdoch]
Love is a central concept in morals [Murdoch]
Ordinary human love is good evidence of transcendent goodness [Murdoch]
23. Ethics / C. Virtue Theory / 1. Virtue Theory / c. Particularism
If I attend properly I will have no choices [Murdoch]
23. Ethics / C. Virtue Theory / 2. Elements of Virtue Theory / d. Teaching virtue
Art trains us in the love of virtue [Murdoch]
It is hard to learn goodness from others, because their virtues are part of their personal history [Murdoch]
23. Ethics / C. Virtue Theory / 2. Elements of Virtue Theory / j. Unity of virtue
Only trivial virtues can be possessed on their own [Murdoch]
Moral reflection and experience gradually reveals unity in the moral world [Murdoch]
23. Ethics / F. Existentialism / 1. Existentialism
Man is a brave naked will, separate from a background of values and realities [Murdoch]
23. Ethics / F. Existentialism / 7. Existential Action
Kantian existentialists care greatly for reasons for action, whereas Surrealists care nothing [Murdoch]
Only a philosopher might think choices create values [Murdoch]
28. God / A. Divine Nature / 6. Divine Morality / c. God is the good
Moral philosophy needs a central concept with all the traditional attributes of God [Murdoch]