Combining Philosophers

All the ideas for Lynch,MP/Glasgow,JM, Lamargue,P/Olson,SH and James Pryor

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13 ideas

7. Existence / C. Structure of Existence / 3. Levels of Reality
A necessary relation between fact-levels seems to be a further irreducible fact [Lynch/Glasgow]
7. Existence / C. Structure of Existence / 5. Supervenience / c. Significance of supervenience
If some facts 'logically supervene' on some others, they just redescribe them, adding nothing [Lynch/Glasgow]
7. Existence / D. Theories of Reality / 6. Physicalism
Nonreductive materialism says upper 'levels' depend on lower, but don't 'reduce' [Lynch/Glasgow]
The hallmark of physicalism is that each causal power has a base causal power under it [Lynch/Glasgow]
13. Knowledge Criteria / B. Internal Justification / 4. Foundationalism / b. Basic beliefs
An experience's having propositional content doesn't make it a belief [Pryor]
13. Knowledge Criteria / B. Internal Justification / 4. Foundationalism / e. Pro-foundations
The best argument for immediate justification is not the Regress Argument, but considering examples [Pryor]
13. Knowledge Criteria / B. Internal Justification / 5. Coherentism / a. Coherence as justification
Impure coherentists accept that perceptions can justify, unlike pure coherentists [Pryor]
Coherentism rests on the claim that justifications must be beliefs, with propositional content [Pryor]
13. Knowledge Criteria / B. Internal Justification / 5. Coherentism / b. Pro-coherentism
Reasons for beliefs can be cited to others, unlike a raw headache experience [Pryor]
13. Knowledge Criteria / C. External Justification / 5. Controlling Beliefs
Beliefs are not chosen, but you can seek ways to influence your belief [Pryor]
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
Modern attention has moved from the intrinsic properties of art to its relational properties [Lamarque/Olson]
21. Aesthetics / B. Nature of Art / 1. Defining Art
Early 20th cent attempts at defining art focused on significant form, intuition, expression, unity [Lamarque/Olson]
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
The dualistic view says works of art are either abstract objects (types), or physical objects [Lamarque/Olson]