13 ideas
10911 | Part-whole is the key relation among truth-makers [Mulligan/Simons/Smith] |
10906 | Moments (objects which cannot exist alone) may serve as truth-makers [Mulligan/Simons/Smith] |
10909 | Truth-makers cannot be the designata of the sentences they make true [Mulligan/Simons/Smith] |
10907 | The truth-maker for a sentence may not be unique, or may be a combination, or several separate items [Mulligan/Simons/Smith] |
10912 | Despite negative propositions, truthmakers are not logical complexes, but ordinary experiences [Mulligan/Simons/Smith] |
10908 | Correspondence has to invoke facts or states of affairs, just to serve as truth-makers [Mulligan/Simons/Smith] |
16062 | A necessary relation between fact-levels seems to be a further irreducible fact [Lynch/Glasgow] |
16061 | If some facts 'logically supervene' on some others, they just redescribe them, adding nothing [Lynch/Glasgow] |
16060 | Nonreductive materialism says upper 'levels' depend on lower, but don't 'reduce' [Lynch/Glasgow] |
16064 | The hallmark of physicalism is that each causal power has a base causal power under it [Lynch/Glasgow] |
20327 | Modern attention has moved from the intrinsic properties of art to its relational properties [Lamarque/Olson] |
20326 | Early 20th cent attempts at defining art focused on significant form, intuition, expression, unity [Lamarque/Olson] |
20330 | The dualistic view says works of art are either abstract objects (types), or physical objects [Lamarque/Olson] |