Combining Philosophers

All the ideas for Lynch,MP/Glasgow,JM, Leo Tolstoy and Peter Klein

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15 ideas

2. Reason / A. Nature of Reason / 6. Coherence
Why should we prefer coherent beliefs? [Klein,P]
7. Existence / C. Structure of Existence / 3. Levels of Reality
A necessary relation between fact-levels seems to be a further irreducible fact [Lynch/Glasgow]
7. Existence / C. Structure of Existence / 5. Supervenience / c. Significance of supervenience
If some facts 'logically supervene' on some others, they just redescribe them, adding nothing [Lynch/Glasgow]
7. Existence / D. Theories of Reality / 6. Physicalism
Nonreductive materialism says upper 'levels' depend on lower, but don't 'reduce' [Lynch/Glasgow]
The hallmark of physicalism is that each causal power has a base causal power under it [Lynch/Glasgow]
13. Knowledge Criteria / A. Justification Problems / 2. Justification Challenges / a. Agrippa's trilemma
Infinitism avoids a regress, circularity or arbitrariness, by saying warrant just increases [Klein,P]
13. Knowledge Criteria / B. Internal Justification / 4. Foundationalism / e. Pro-foundations
If justification is endless, no link in the chain is ultimately justified [Ginet on Klein,P]
13. Knowledge Criteria / B. Internal Justification / 5. Coherentism / a. Coherence as justification
Reasons acquire warrant through being part of a lengthening series [Klein,P]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
True works of art transmit completely new feelings [Tolstoy]
Art is when one man uses external signs to hand on his feelings to another man [Tolstoy]
The highest feelings of mankind can only be transmitted by art [Tolstoy]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
The purpose of art is to help mankind to evolve better, more socially beneficial feelings [Tolstoy]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
People estimate art according to their moral values [Tolstoy]
The upper classes put beauty first, and thus freed themselves from morality [Tolstoy]
We separate the concept of beauty from goodness, unlike the ancients [Tolstoy]