37 ideas
| 16062 | A necessary relation between fact-levels seems to be a further irreducible fact [Lynch/Glasgow] |
| 16061 | If some facts 'logically supervene' on some others, they just redescribe them, adding nothing [Lynch/Glasgow] |
| 16060 | Nonreductive materialism says upper 'levels' depend on lower, but don't 'reduce' [Lynch/Glasgow] |
| 16064 | The hallmark of physicalism is that each causal power has a base causal power under it [Lynch/Glasgow] |
| 8502 | Realism doesn't explain 'a is F' any further by saying it is 'a has F-ness' [Devitt] |
| 8503 | The particular/universal distinction is unhelpful clutter; we should accept 'a is F' as basic [Devitt] |
| 8501 | Quineans take predication about objects as basic, not reference to properties they may have [Devitt] |
| 17368 | Essentialism concerns the nature of a group, not its category [Devitt] |
| 17370 | Things that gradually change, like species, can still have essences [Devitt] |
| 9354 | Why should necessities only be knowable a priori? That Hesperus is Phosporus is known empirically [Devitt] |
| 19565 | How could the mind have a link to the necessary character of reality? [Devitt] |
| 9353 | We explain away a priori knowledge, not as directly empirical, but as indirectly holistically empirical [Devitt] |
| 9356 | The idea of the a priori is so obscure that it won't explain anything [Devitt] |
| 19564 | Some knowledge must be empirical; naturalism implies that all knowledge is like that [Devitt] |
| 23928 | Good art produces exaltation and detachment [Bell,C] |
| 23922 | The word 'beauty' leads to confusion, because it denotes distinct emotions [Bell,C] |
| 23921 | Our feeling for natural beauty is different from the aesthetic emotion of art [Bell,C] |
| 23929 | We only see landscapes as artistic if we ignore their instrumental value [Bell,C] |
| 23923 | Visual form can create a sublime mental state [Bell,C] |
| 23932 | Art is the expression of an emotion for ultimate reality [Bell,C] |
| 23927 | Aestheticism invites artist to create beauty, but with no indication of how to do it [Bell,C] |
| 8115 | Only artists can discern significant form; other people must look to art to find it [Bell,C, by Gardner] |
| 23924 | Maybe significant form gives us a feeling for ultimate reality [Bell,C] |
| 23931 | Significant form is the essence of art, which I believe expresses an emotion about reality [Bell,C] |
| 20434 | 'Form' is visual relations, and it is 'significant' if it moves us aesthetically; art needs both [Bell,C, by Feagin] |
| 23934 | The only expression art could have is the emotion resulting from pure form [Bell,C] |
| 23925 | Mere copies of pictures are not significant - unless the copies are very exact [Bell,C] |
| 23926 | Art is distinguished by its aesthetic emotion, which produces appropriate form [Bell,C] |
| 23933 | Aesthetic contemplation is the best and most intense mental state [Bell,C] |
| 23935 | Aesthetic experience is an exaltation which increases the possibilities of life [Bell,C] |
| 22691 | Only artistic qualities matter in art, because they also have the highest moral value [Bell,C] |
| 17371 | Some kinds are very explanatory, but others less so, and some not at all [Devitt] |
| 17369 | We name species as small to share properties, but large enough to yield generalisations [Devitt] |
| 17367 | Species are phenetic, biological, niche, or phylogenetic-cladistic [Devitt, by PG] |
| 17372 | The higher categories are not natural kinds, so the Linnaean hierarchy should be given up [Devitt] |
| 17373 | Species pluralism says there are several good accounts of what a species is [Devitt] |
| 23930 | Religion sees infinite value in some things, and irrelevance in the rest [Bell,C] |