17 ideas
16062 | A necessary relation between fact-levels seems to be a further irreducible fact [Lynch/Glasgow] |
16061 | If some facts 'logically supervene' on some others, they just redescribe them, adding nothing [Lynch/Glasgow] |
16060 | Nonreductive materialism says upper 'levels' depend on lower, but don't 'reduce' [Lynch/Glasgow] |
16064 | The hallmark of physicalism is that each causal power has a base causal power under it [Lynch/Glasgow] |
3756 | Perception, introspection, testimony, memory, reason, and inference can give us knowledge [Bernecker/Dretske] |
3757 | Causal theory says true perceptions must be caused by the object perceived [Bernecker/Dretske] |
3759 | You can acquire new knowledge by exploring memories [Bernecker/Dretske] |
3752 | Justification can be of the belief, or of the person holding the belief [Bernecker/Dretske] |
3753 | Foundationalism aims to avoid an infinite regress [Bernecker/Dretske] |
3754 | Infallible sensations can't be foundations if they are non-epistemic [Bernecker/Dretske] |
3755 | Justification is normative, so it can't be reduced to cognitive psychology [Bernecker/Dretske] |
3761 | Modern arguments against the sceptic are epistemological and semantic externalism, and the focus on relevance [Bernecker/Dretske] |
3760 | Predictions are bound to be arbitrary if they depend on the language used [Bernecker/Dretske] |
3758 | Semantic externalism ties content to the world, reducing error [Bernecker/Dretske] |
20420 | The emotion expressed is non-conscious, but feels oppressive until expression relieves it [Collingwood] |
20421 | Art exists ideally, purely as experiences in the mind of the perceiver [Collingwood, by Kemp] |
20406 | Art clarifies the artist's mind and feelings, thus leading to self-knowledge [Collingwood, by Davies,S] |