28 ideas
16062 | A necessary relation between fact-levels seems to be a further irreducible fact [Lynch/Glasgow] |
16061 | If some facts 'logically supervene' on some others, they just redescribe them, adding nothing [Lynch/Glasgow] |
16060 | Nonreductive materialism says upper 'levels' depend on lower, but don't 'reduce' [Lynch/Glasgow] |
16064 | The hallmark of physicalism is that each causal power has a base causal power under it [Lynch/Glasgow] |
23928 | Good art produces exaltation and detachment [Bell,C] |
23922 | The word 'beauty' leads to confusion, because it denotes distinct emotions [Bell,C] |
23921 | Our feeling for natural beauty is different from the aesthetic emotion of art [Bell,C] |
23929 | We only see landscapes as artistic if we ignore their instrumental value [Bell,C] |
23923 | Visual form can create a sublime mental state [Bell,C] |
23932 | Art is the expression of an emotion for ultimate reality [Bell,C] |
23927 | Aestheticism invites artist to create beauty, but with no indication of how to do it [Bell,C] |
8115 | Only artists can discern significant form; other people must look to art to find it [Bell,C, by Gardner] |
23924 | Maybe significant form gives us a feeling for ultimate reality [Bell,C] |
23931 | Significant form is the essence of art, which I believe expresses an emotion about reality [Bell,C] |
20434 | 'Form' is visual relations, and it is 'significant' if it moves us aesthetically; art needs both [Bell,C, by Feagin] |
23934 | The only expression art could have is the emotion resulting from pure form [Bell,C] |
7269 | The intentional fallacy is a romantic one [Wimsatt/Beardsley] |
7271 | Biography can reveal meanings and dramatic character, as well as possible intentions [Wimsatt/Beardsley] |
20400 | Intentions either succeed or fail, so external evidence for them is always irrelevant [Wimsatt/Beardsley, by Davies,S] |
7266 | The author's intentions are irrelevant to the judgement of a work's success [Wimsatt/Beardsley] |
7267 | Poetry, unlike messages, can be successful without communicating intentions [Wimsatt/Beardsley] |
7268 | The thoughts of a poem should be imputed to the dramatic speaker, and hardly at all to the poet [Wimsatt/Beardsley] |
23925 | Mere copies of pictures are not significant - unless the copies are very exact [Bell,C] |
23926 | Art is distinguished by its aesthetic emotion, which produces appropriate form [Bell,C] |
23933 | Aesthetic contemplation is the best and most intense mental state [Bell,C] |
23935 | Aesthetic experience is an exaltation which increases the possibilities of life [Bell,C] |
22691 | Only artistic qualities matter in art, because they also have the highest moral value [Bell,C] |
23930 | Religion sees infinite value in some things, and irrelevance in the rest [Bell,C] |