61 ideas
20388 | 'Necessary' conditions are requirements, and 'sufficient' conditions are guarantees [Davies,S] |
20389 | A definition of a thing gives all the requirements which add up to a guarantee of it [Davies,S] |
20391 | Feminists warn that ideologies use timeless objective definitions as a tool of repression [Davies,S] |
22886 | The modern idea of 'limit' allows infinite quantities to have a finite sum [Bardon] |
22914 | An equally good question would be why there was nothing instead of something [Bardon] |
16554 | Activities have place, rate, duration, entities, properties, modes, direction, polarity, energy and range [Machamer/Darden/Craver] |
16556 | Penicillin causes nothing; the cause is what penicillin does [Machamer/Darden/Craver] |
16562 | We understand something by presenting its low-level entities and activities [Machamer/Darden/Craver] |
16563 | The explanation is not the regularity, but the activity sustaining it [Machamer/Darden/Craver] |
16555 | Functions are not properties of objects, they are activities contributing to mechanisms [Machamer/Darden/Craver] |
16528 | Mechanisms are not just push-pull systems [Machamer/Darden/Craver] |
16529 | Mechanisms are systems organised to produce regular change [Machamer/Darden/Craver] |
16530 | A mechanism explains a phenomenon by showing how it was produced [Machamer/Darden/Craver] |
16553 | Our account of mechanism combines both entities and activities [Machamer/Darden/Craver] |
16559 | Descriptions of explanatory mechanisms have a bottom level, where going further is irrelevant [Machamer/Darden/Craver] |
16564 | There are four types of bottom-level activities which will explain phenomena [Machamer/Darden/Craver] |
16561 | We can abstract by taking an exemplary case and ignoring the detail [Machamer/Darden/Craver] |
20387 | Aesthetic experience involves perception, but also imagination and understanding [Davies,S] |
20385 | The faculty of 'taste' was posited to explain why only some people had aesthetic appreciation [Davies,S] |
20386 | The sublime is negative in awareness of insignificance, and positive in showing understanding [Davies,S] |
20384 | The idea that art forms are linked into a single concept began in the 1740s [Davies,S] |
20390 | Defining art as representation or expression or form were all undermined by the avant-garde [Davies,S] |
20392 | 'Aesthetic functionalism' says art is what is intended to create aesthetic experiences [Davies,S] |
20405 | Music may be expressive by being 'associated' with other emotional words or events [Davies,S] |
20403 | It seems unlikely that sad music expresses a composer's sadness; it takes ages to write [Davies,S] |
20393 | The 'institutional' theory says art is just something appropriately placed in the 'artworld' [Davies,S] |
20402 | Music is too definite to be put into words (not too indefinite!) [Davies,S] |
20395 | The title of a painting can be vital, and the artist decrees who the portrait represents [Davies,S] |
20396 | We must know what the work is meant to be, to evaluate the artist's achievement [Davies,S] |
20399 | Intentionalism says either meaning just is intention, or ('moderate') meaning is successful intention [Davies,S] |
20401 | The meaning is given by the audience's best guess at the author's intentions [Davies,S] |
20397 | If we could perfectly clone the Mona Lisa, the original would still be special [Davies,S] |
20398 | Art that is multiply instanced may require at least one instance [Davies,S] |
20404 | Music isn't just sad because it makes the listener feel sad [Davies,S] |
22705 | If the depiction of evil is glorified, that is an artistic flaw [Davies,S] |
22707 | It is an artistic defect if excessive moral outrage distorts the story, and narrows our sympathies [Davies,S] |
22706 | A work which seeks approval for immorality, but alienates the audience, is a failure [Davies,S] |
22704 | Immorality may or may not be an artistic defect [Davies,S] |
22902 | Why does an effect require a prior event if the prior event isn't a cause? [Bardon] |
16558 | Laws of nature have very little application in biology [Machamer/Darden/Craver] |
22905 | Becoming disordered is much easier for a system than becoming ordered [Bardon] |
22913 | The universe expands, so space-time is enlarging [Bardon] |
22889 | We should treat time as adverbial, so we don't experience time, we experience things temporally [Bardon, by Bardon] |
22900 | How can we question the passage of time, if the question takes time to ask? [Bardon] |
22898 | What is time's passage relative to, and how fast does it pass? [Bardon] |
22897 | The A-series says a past event is becoming more past, but how can it do that? [Bardon] |
22901 | The B-series needs a revised view of causes, laws and explanations [Bardon] |
22896 | The B-series is realist about time, but idealist about its passage [Bardon] |
22903 | The B-series adds directionality when it accepts 'earlier' and 'later' [Bardon] |
22910 | To define time's arrow by causation, we need a timeless definition of causation [Bardon] |
22909 | We judge memories to be of the past because the events cause the memories [Bardon] |
22904 | The psychological arrow of time is the direction from our memories to our anticipations [Bardon] |
22906 | The direction of entropy is probabilistic, not necessary, so cannot be identical to time's arrow [Bardon] |
22907 | It is arbitrary to reverse time in a more orderly universe, but not in a sub-system of it [Bardon] |
22883 | It seems hard to understand change without understanding time first [Bardon] |
22890 | We experience static states (while walking round a house) and observe change (ship leaving dock) [Bardon] |
22884 | The motion of a thing should be a fact in the present moment [Bardon] |
22892 | Experiences of motion may be overlapping, thus stretching out the experience [Bardon] |
22911 | At least eternal time gives time travellers a possible destination [Bardon] |
22912 | Time travel is not a paradox if we include it in the eternal continuum of events [Bardon] |
22882 | We use calendars for the order of events, and clocks for their passing [Bardon] |