48 ideas
20388 | 'Necessary' conditions are requirements, and 'sufficient' conditions are guarantees [Davies,S] |
20389 | A definition of a thing gives all the requirements which add up to a guarantee of it [Davies,S] |
20391 | Feminists warn that ideologies use timeless objective definitions as a tool of repression [Davies,S] |
9038 | We must distinguish what the speaker denotes by a name, from what the name denotes [Evans] |
5824 | How can an expression be a name, if names can change their denotation? [Evans] |
9042 | A private intention won't give a name a denotation; the practice needs it to be made public [Evans] |
9041 | The Causal Theory of Names is wrong, since the name 'Madagascar' actually changed denotation [Evans] |
16129 | Evans argues (falsely!) that a contradiction follows from treating objects as vague [Evans, by Lowe] |
16459 | Is it coherent that reality is vague, identities can be vague, and objects can have fuzzy boundaries? [Evans] |
16460 | Evans assumes there can be vague identity statements, and that his proof cannot be right [Evans, by Lewis] |
16457 | There clearly are vague identity statements, and Evans's argument has a false conclusion [Evans, by Lewis] |
14484 | If a=b is indeterminate, then a=/=b, and so there cannot be indeterminate identity [Evans, by Thomasson] |
16224 | There can't be vague identity; a and b must differ, since a, unlike b, is only vaguely the same as b [Evans, by PG] |
14895 | 'Superficial' contingency: false in some world; 'Deep' contingency: no obvious verification [Evans, by Macià/Garcia-Carpentiro] |
11881 | Rigid designators can be meaningful even if empty [Evans, by Mackie,P] |
7639 | The Homunculus Fallacy explains a subject perceiving objects by repeating the problem internally [Evans] |
12580 | Experiences have no conceptual content [Evans, by Greco] |
7643 | We have far fewer colour concepts than we have discriminations of colour [Evans] |
23794 | Some representational states, like perception, may be nonconceptual [Evans, by Schulte] |
16366 | The Generality Constraint says if you can think a predicate you can apply it to anything [Evans] |
12575 | Concepts have a 'Generality Constraint', that we must know how predicates apply to them [Evans, by Peacocke] |
5825 | Speakers intend to refer to items that are the source of their information [Evans] |
5823 | The intended referent of a name needs to be the cause of the speaker's information about it [Evans] |
9039 | If descriptions are sufficient for reference, then I must accept a false reference if the descriptions fit [Evans] |
9043 | We use expressions 'deferentially', to conform to the use of other people [Evans] |
9040 | Charity should minimize inexplicable error, rather than maximising true beliefs [Evans] |
20387 | Aesthetic experience involves perception, but also imagination and understanding [Davies,S] |
20385 | The faculty of 'taste' was posited to explain why only some people had aesthetic appreciation [Davies,S] |
20386 | The sublime is negative in awareness of insignificance, and positive in showing understanding [Davies,S] |
20384 | The idea that art forms are linked into a single concept began in the 1740s [Davies,S] |
20390 | Defining art as representation or expression or form were all undermined by the avant-garde [Davies,S] |
20392 | 'Aesthetic functionalism' says art is what is intended to create aesthetic experiences [Davies,S] |
20405 | Music may be expressive by being 'associated' with other emotional words or events [Davies,S] |
20403 | It seems unlikely that sad music expresses a composer's sadness; it takes ages to write [Davies,S] |
20393 | The 'institutional' theory says art is just something appropriately placed in the 'artworld' [Davies,S] |
20402 | Music is too definite to be put into words (not too indefinite!) [Davies,S] |
20395 | The title of a painting can be vital, and the artist decrees who the portrait represents [Davies,S] |
20396 | We must know what the work is meant to be, to evaluate the artist's achievement [Davies,S] |
20399 | Intentionalism says either meaning just is intention, or ('moderate') meaning is successful intention [Davies,S] |
20401 | The meaning is given by the audience's best guess at the author's intentions [Davies,S] |
20397 | If we could perfectly clone the Mona Lisa, the original would still be special [Davies,S] |
20398 | Art that is multiply instanced may require at least one instance [Davies,S] |
20404 | Music isn't just sad because it makes the listener feel sad [Davies,S] |
22705 | If the depiction of evil is glorified, that is an artistic flaw [Davies,S] |
22707 | It is an artistic defect if excessive moral outrage distorts the story, and narrows our sympathies [Davies,S] |
22706 | A work which seeks approval for immorality, but alienates the audience, is a failure [Davies,S] |
22704 | Immorality may or may not be an artistic defect [Davies,S] |
7902 | The Buddha made flowers float in the air, to impress people, and make them listen [Mahavastu] |