Combining Philosophers

All the ideas for Mark Sainsbury, Geoffrey Gorham and Roger Fry

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31 ideas

5. Theory of Logic / F. Referring in Logic / 1. Naming / e. Empty names
It is best to say that a name designates iff there is something for it to designate [Sainsbury]
5. Theory of Logic / F. Referring in Logic / 2. Descriptions / b. Definite descriptions
Definite descriptions may not be referring expressions, since they can fail to refer [Sainsbury]
Definite descriptions are usually rigid in subject, but not in predicate, position [Sainsbury]
7. Existence / D. Theories of Reality / 10. Vagueness / b. Vagueness of reality
If 'red' is vague, then membership of the set of red things is vague, so there is no set of red things [Sainsbury]
7. Existence / E. Categories / 2. Categorisation
We should abandon classifying by pigeon-holes, and classify around paradigms [Sainsbury]
9. Objects / B. Unity of Objects / 3. Unity Problems / e. Vague objects
Vague concepts are concepts without boundaries [Sainsbury]
If concepts are vague, people avoid boundaries, can't spot them, and don't want them [Sainsbury]
Boundaryless concepts tend to come in pairs, such as child/adult, hot/cold [Sainsbury]
14. Science / A. Basis of Science / 6. Falsification
Why abandon a theory if you don't have a better one? [Gorham]
If a theory is more informative it is less probable [Gorham]
14. Science / B. Scientific Theories / 1. Scientific Theory
Is Newton simpler with universal simultaneity, or Einstein simpler without absolute time? [Gorham]
Structural Realism says mathematical structures persist after theory rejection [Gorham]
Structural Realists must show the mathematics is both crucial and separate [Gorham]
14. Science / B. Scientific Theories / 3. Instrumentalism
Theories aren't just for organising present experience if they concern the past or future [Gorham]
For most scientists their concepts are not just useful, but are meant to be true and accurate [Gorham]
14. Science / D. Explanation / 2. Types of Explanation / d. Consilience
Consilience makes the component sciences more likely [Gorham]
16. Persons / C. Self-Awareness / 3. Limits of Introspection
Most of us are too close to our own motives to understand them [Fry]
19. Language / B. Reference / 3. Direct Reference / b. Causal reference
A new usage of a name could arise from a mistaken baptism of nothing [Sainsbury]
19. Language / B. Reference / 5. Speaker's Reference
Even a quantifier like 'someone' can be used referentially [Sainsbury]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Imaginative life requires no action, so new kinds of perception and values emerge in art [Fry]
Everyone reveals an aesthetic attitude, looking at something which only exists to be seen [Fry]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
'Beauty' can either mean sensuous charm, or the aesthetic approval of art (which may be ugly) [Fry]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
In life we neglect 'cosmic emotion', but it matters, and art brings it to the fore [Fry]
21. Aesthetics / B. Nature of Art / 2. Art as Form
Art needs a mixture of order and variety in its sensations [Fry]
21. Aesthetics / B. Nature of Art / 3. Art as Imitation
If graphic arts only aim at imitation, their works are only trivial ingenious toys [Fry]
Popular opinion favours realism, yet most people never look closely at anything! [Fry]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
When viewing art, rather than flowers, we are aware of purpose, and sympathy with its creator [Fry]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
In the cinema the emotions are weaker, but much clearer than in ordinary life [Fry]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
For pure moralists art must promote right action, and not just be harmless [Fry]
26. Natural Theory / A. Speculations on Nature / 1. Nature
Aristotelian physics has circular celestial motion and linear earthly motion [Gorham]
26. Natural Theory / A. Speculations on Nature / 3. Natural Function
Things are thought to have a function, even when they can't perform them [Sainsbury]