Combining Philosophers

All the ideas for Moses Schönfinkel, Achille Varzi and Roger Fry

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23 ideas

4. Formal Logic / F. Set Theory ST / 4. Axioms for Sets / a. Axioms for sets
10653 Maybe set theory need not be well-founded [Varzi]
4. Formal Logic / G. Formal Mereology / 1. Mereology
10648 Mereology need not be nominalist, though it is often taken to be so [Varzi]
10655 Are there mereological atoms, and are all objects made of them? [Varzi]
10659 There is something of which everything is part, but no null-thing which is part of everything [Varzi]
5. Theory of Logic / E. Structures of Logic / 4. Variables in Logic
17699 Variables are auxiliary notions, and not part of the 'eternal' essence of logic [Schönfinkel]
9. Objects / C. Structure of Objects / 5. Composition of an Object
10661 'Composition is identity' says multitudes are the reality, loosely composing single things [Varzi]
9. Objects / C. Structure of Objects / 8. Parts of Objects / a. Parts of objects
10647 Parts may or may not be attached, demarcated, arbitrary, material, extended, spatial or temporal [Varzi]
10651 If 'part' is reflexive, then identity is a limit case of parthood [Varzi]
10649 'Part' stands for a reflexive, antisymmetric and transitive relation [Varzi]
10654 The parthood relation will help to define at least seven basic predicates [Varzi]
9. Objects / C. Structure of Objects / 8. Parts of Objects / c. Wholes from parts
10658 Sameness of parts won't guarantee identity if their arrangement matters [Varzi]
10. Modality / D. Knowledge of Modality / 4. Conceivable as Possible / b. Conceivable but impossible
10652 Conceivability may indicate possibility, but literary fantasy does not [Varzi]
16. Persons / C. Self-Awareness / 3. Limits of Introspection
20429 Most of us are too close to our own motives to understand them [Fry]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
20424 Imaginative life requires no action, so new kinds of perception and values emerge in art [Fry]
20427 Everyone reveals an aesthetic attitude, looking at something which only exists to be seen [Fry]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
20433 'Beauty' can either mean sensuous charm, or the aesthetic approval of art (which may be ugly) [Fry]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
20430 In life we neglect 'cosmic emotion', but it matters, and art brings it to the fore [Fry]
21. Aesthetics / B. Nature of Art / 2. Art as Form
20431 Art needs a mixture of order and variety in its sensations [Fry]
21. Aesthetics / B. Nature of Art / 3. Art as Imitation
20423 If graphic arts only aim at imitation, their works are only trivial ingenious toys [Fry]
20428 Popular opinion favours realism, yet most people never look closely at anything! [Fry]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
20432 When viewing art, rather than flowers, we are aware of purpose, and sympathy with its creator [Fry]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
20425 In the cinema the emotions are weaker, but much clearer than in ordinary life [Fry]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
20426 For pure moralists art must promote right action, and not just be harmless [Fry]