Combining Philosophers

All the ideas for Pierre Gassendi, Clive Bell and William Shakespeare

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28 ideas

1. Philosophy / D. Nature of Philosophy / 7. Despair over Philosophy
8658 For there was never yet philosopher/ That could endure the toothache patiently [Shakespeare]
2. Reason / A. Nature of Reason / 1. On Reason
22708 Good reasons must give way to better [Shakespeare]
8. Modes of Existence / B. Properties / 8. Properties as Modes
16668 Modes of things exist in some way, without being full-blown substances [Gassendi]
16730 If matter is entirely atoms, anything else we notice in it can only be modes [Gassendi]
14. Science / D. Explanation / 2. Types of Explanation / j. Explanations by reduction
16619 We observe qualities, and use 'induction' to refer to the substances lying under them [Gassendi]
17. Mind and Body / A. Mind-Body Dualism / 2. Interactionism
3400 Things must have parts to intermingle [Gassendi]
20. Action / B. Preliminaries of Action / 2. Willed Action / b. Volitionism
20304 The cause of my action is in my will [Shakespeare]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
23928 Good art produces exaltation and detachment [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
23922 The word 'beauty' leads to confusion, because it denotes distinct emotions [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 5. Natural Beauty
23921 Our feeling for natural beauty is different from the aesthetic emotion of art [Bell,C]
23929 We only see landscapes as artistic if we ignore their instrumental value [Bell,C]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
23923 Visual form can create a sublime mental state [Bell,C]
21. Aesthetics / B. Nature of Art / 1. Defining Art
23927 Aestheticism invites artist to create beauty, but with no indication of how to do it [Bell,C]
23932 Art is the expression of an emotion for ultimate reality [Bell,C]
21. Aesthetics / B. Nature of Art / 2. Art as Form
8115 Only artists can discern significant form; other people must look to art to find it [Bell,C, by Gardner]
23924 Maybe significant form gives us a feeling for ultimate reality [Bell,C]
23931 Significant form is the essence of art, which I believe expresses an emotion about reality [Bell,C]
20434 'Form' is visual relations, and it is 'significant' if it moves us aesthetically; art needs both [Bell,C, by Feagin]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
23934 The only expression art could have is the emotion resulting from pure form [Bell,C]
21. Aesthetics / C. Artistic Issues / 2. Copies of Art
23925 Mere copies of pictures are not significant - unless the copies are very exact [Bell,C]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
23926 Art is distinguished by its aesthetic emotion, which produces appropriate form [Bell,C]
21. Aesthetics / C. Artistic Issues / 6. Value of Art
23935 Aesthetic experience is an exaltation which increases the possibilities of life [Bell,C]
23933 Aesthetic contemplation is the best and most intense mental state [Bell,C]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
22691 Only artistic qualities matter in art, because they also have the highest moral value [Bell,C]
25. Social Practice / E. Policies / 1. War / b. Justice in war
23565 Our obedience to the king erases any crimes we commit for him [Shakespeare]
26. Natural Theory / A. Speculations on Nature / 6. Early Matter Theories / g. Atomism
16593 Atoms are not points, but hard indivisible things, which no force in nature can divide [Gassendi]
16729 How do mere atoms produce qualities like colour, flavour and odour? [Gassendi]
29. Religion / D. Religious Issues / 1. Religious Commitment / a. Religious Belief
23930 Religion sees infinite value in some things, and irrelevance in the rest [Bell,C]