Combining Philosophers

All the ideas for Pierre Gassendi, Jonathan Bennett and Roger Fry

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27 ideas

7. Existence / B. Change in Existence / 4. Events / a. Nature of events
Maybe each event has only one possible causal history [Bennett]
Maybe an event's time of occurrence is essential to it [Bennett]
7. Existence / B. Change in Existence / 4. Events / c. Reduction of events
Events are made of other things, and are not fundamental to ontology [Bennett]
8. Modes of Existence / B. Properties / 8. Properties as Modes
Modes of things exist in some way, without being full-blown substances [Gassendi]
If matter is entirely atoms, anything else we notice in it can only be modes [Gassendi]
14. Science / D. Explanation / 2. Types of Explanation / j. Explanations by reduction
We observe qualities, and use 'induction' to refer to the substances lying under them [Gassendi]
16. Persons / C. Self-Awareness / 3. Limits of Introspection
Most of us are too close to our own motives to understand them [Fry]
17. Mind and Body / A. Mind-Body Dualism / 2. Interactionism
Things must have parts to intermingle [Gassendi]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Imaginative life requires no action, so new kinds of perception and values emerge in art [Fry]
Everyone reveals an aesthetic attitude, looking at something which only exists to be seen [Fry]
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
'Beauty' can either mean sensuous charm, or the aesthetic approval of art (which may be ugly) [Fry]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
In life we neglect 'cosmic emotion', but it matters, and art brings it to the fore [Fry]
21. Aesthetics / B. Nature of Art / 2. Art as Form
Art needs a mixture of order and variety in its sensations [Fry]
21. Aesthetics / B. Nature of Art / 3. Art as Imitation
If graphic arts only aim at imitation, their works are only trivial ingenious toys [Fry]
Popular opinion favours realism, yet most people never look closely at anything! [Fry]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
When viewing art, rather than flowers, we are aware of purpose, and sympathy with its creator [Fry]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
In the cinema the emotions are weaker, but much clearer than in ordinary life [Fry]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
For pure moralists art must promote right action, and not just be harmless [Fry]
26. Natural Theory / A. Speculations on Nature / 6. Early Matter Theories / g. Atomism
Atoms are not points, but hard indivisible things, which no force in nature can divide [Gassendi]
How do mere atoms produce qualities like colour, flavour and odour? [Gassendi]
26. Natural Theory / C. Causation / 1. Causation
Delaying a fire doesn't cause it, but hastening it might [Bennett]
Either cause and effect are subsumed under a conditional because of properties, or it is counterfactual [Bennett]
26. Natural Theory / C. Causation / 2. Types of cause
Causes are between events ('the explosion') or between facts/states of affairs ('a bomb dropped') [Bennett]
26. Natural Theory / C. Causation / 8. Particular Causation / b. Causal relata
Facts are about the world, not in it, so they can't cause anything [Bennett]
26. Natural Theory / C. Causation / 9. General Causation / c. Counterfactual causation
The full counterfactual story asserts a series of events, because counterfactuals are not transitive [Bennett]
A counterfactual about an event implies something about the event's essence [Bennett]
27. Natural Reality / C. Space / 4. Substantival Space
Empty space is measurable in ways in which empty time necessarily is not [Bennett, by Shoemaker]