30 ideas
| 14231 | We should always apply someone's theory of meaning to their own utterances [Liggins] |
| 17325 | Truth-maker theory can't cope with non-causal dependence [Liggins] |
| 17318 | Truthmakers for existence is fine; otherwise maybe restrict it to synthetic truths? [Liggins] |
| 14232 | We normally formalise 'There are Fs' with singular quantification and predication, but this may be wrong [Liggins] |
| 17320 | Either p is true or not-p is true, so something is true, so something exists [Liggins] |
| 17326 | The dependence of {Socrates} on Socrates involves a set and a philosopher, not facts [Liggins] |
| 17327 | Non-causal dependence is at present only dimly understood [Liggins] |
| 17322 | Necessities supervene on everything, but don't depend on everything [Liggins] |
| 20339 | Classes rarely share properties with their members - unlike universals and types [Wollheim] |
| 14233 | Nihilists needn't deny parts - they can just say that some of the xs are among the ys [Liggins] |
| 17324 | 'Because' can signal an inference rather than an explanation [Liggins] |
| 17321 | Value, constitution and realisation are non-causal dependences that explain [Liggins] |
| 17323 | If explanations track dependence, then 'determinative' explanations seem to exist [Liggins] |
| 20338 | We often treat a type as if it were a sort of token [Wollheim] |
| 20342 | Interpretation is performance for some arts, and critical for all arts [Wollheim] |
| 20343 | A love of nature must precede a love of art [Wollheim] |
| 20348 | A criterion of identity for works of art would be easier than a definition [Wollheim] |
| 20347 | If beauty needs organisation, then totally simple things can't be beautiful [Wollheim] |
| 20345 | Some say art must have verbalisable expression, and others say the opposite! [Wollheim] |
| 20331 | It is claimed that the expressive properties of artworks are non-physical [Wollheim] |
| 20336 | Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim] |
| 20337 | The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim] |
| 20333 | If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim] |
| 20334 | The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim] |
| 20335 | The ideal theory of art neglects both the audience and the medium employed [Wollheim] |
| 20340 | A musical performance has virtually the same features as the piece of music [Wollheim] |
| 20341 | An interpretation adds further properties to the generic piece of music [Wollheim] |
| 20332 | A drawing only represents Napoleon if the artist intended it to [Wollheim] |
| 13304 | Learned men gain more in one day than others do in a lifetime [Posidonius] |
| 20820 | Time is an interval of motion, or the measure of speed [Posidonius, by Stobaeus] |