25 ideas
| 21463 | Hamann, Herder and Jacobi were key opponents of the Enlightenment [Gardner] |
| 21459 | Kant halted rationalism, and forced empiricists to worry about foundations [Gardner] |
| 21460 | Only Kant and Hegel have united nature, morals, politics, aesthetics and religion [Gardner] |
| 21443 | Transcendental proofs derive necessities from possibilities (e.g. possibility of experiencing objects) [Gardner] |
| 12463 | Unlike correspondence, truthmaking can be one truth to many truthmakers, or vice versa [Jacobs] |
| 21444 | Modern geoemtry is either 'pure' (and formal), or 'applied' (and a posteriori) [Gardner] |
| 21453 | Leibnizian monads qualify as Kantian noumena [Gardner] |
| 14375 | If structures result from intrinsic natures of properties, the 'relations' between them can drop out [Jacobs] |
| 14378 | Science aims at identifying the structure and nature of the powers that exist [Jacobs] |
| 12467 | Powers come from concrete particulars, not from the laws of nature [Jacobs] |
| 14377 | Possibilities are manifestations of some power, and impossibilies rest on no powers [Jacobs] |
| 14376 | States of affairs are only possible if some substance could initiate a causal chain to get there [Jacobs] |
| 14379 | Counterfactuals invite us to consider the powers picked out by the antecedent [Jacobs] |
| 14372 | Possible worlds are just not suitable truthmakers for modality [Jacobs] |
| 12466 | All modality is in the properties and relations of the actual world [Jacobs] |
| 14371 | We can base counterfactuals on powers, not possible worlds, and hence define necessity [Jacobs] |
| 12465 | Concrete worlds, unlike fictions, at least offer evidence of how the actual world could be [Jacobs] |
| 12464 | If some book described a possibe life for you, that isn't what makes such a life possible [Jacobs] |
| 12469 | Possible worlds semantics gives little insight into modality [Jacobs] |
| 13165 | Geometrical proofs do not show causes, as when we prove a triangle contains two right angles [Proclus] |
| 9569 | The origin of geometry started in sensation, then moved to calculation, and then to reason [Proclus] |
| 8108 | Aesthetics presupposes a distinctive sort of experience, and a unified essence for art [Gardner] |
| 8112 | Art works originate in the artist's mind, and appreciation is re-creating this mental object [Gardner] |
| 8111 | Aesthetic objectivists must explain pleasure being essential, but not in the object [Gardner] |
| 8109 | Aesthetic judgements necessarily require first-hand experience, unlike moral judgements [Gardner] |