37 ideas
| 20339 | Classes rarely share properties with their members - unlike universals and types [Wollheim] |
| 14064 | If a statue is identical with the clay of which it is made, that identity is contingent [Gibbard] |
| 14066 | A 'piece' of clay begins when its parts stick together, separately from other clay [Gibbard] |
| 14067 | Clay and statue are two objects, which can be named and reasoned about [Gibbard] |
| 14069 | We can only investigate the identity once we have designated it as 'statue' or as 'clay' [Gibbard] |
| 14076 | Essentialism is the existence of a definite answer as to whether an entity fulfils a condition [Gibbard] |
| 14077 | Essentialism for concreta is false, since they can come apart under two concepts [Gibbard] |
| 14759 | A thing is simply a long event, linked by qualities, and spatio-temporal unity [Broad] |
| 11842 | If short-lived happenings like car crashes are 'events', why not long-lived events like Dover Cliffs? [Broad] |
| 14963 | Surely the past phases of a thing are not parts of the thing? [Broad] |
| 14070 | A particular statue has sortal persistence conditions, so its origin defines it [Gibbard] |
| 14073 | Claims on contingent identity seem to violate Leibniz's Law [Gibbard] |
| 14065 | Two identical things must share properties - including creation and destruction times [Gibbard] |
| 14074 | Leibniz's Law isn't just about substitutivity, because it must involve properties and relations [Gibbard] |
| 14072 | Possible worlds identity needs a sortal [Gibbard] |
| 14078 | Only concepts, not individuals, can be the same across possible worlds [Gibbard] |
| 14079 | Kripke's semantics needs lots of intuitions about which properties are essential [Gibbard] |
| 7628 | Broad rejects the inferential component of the representative theory [Broad, by Maund] |
| 20338 | We often treat a type as if it were a sort of token [Wollheim] |
| 14071 | Naming a thing in the actual world also invokes some persistence criteria [Gibbard] |
| 20342 | Interpretation is performance for some arts, and critical for all arts [Wollheim] |
| 20343 | A love of nature must precede a love of art [Wollheim] |
| 20348 | A criterion of identity for works of art would be easier than a definition [Wollheim] |
| 20347 | If beauty needs organisation, then totally simple things can't be beautiful [Wollheim] |
| 20345 | Some say art must have verbalisable expression, and others say the opposite! [Wollheim] |
| 20331 | It is claimed that the expressive properties of artworks are non-physical [Wollheim] |
| 20336 | Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim] |
| 20337 | The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim] |
| 20333 | If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim] |
| 20334 | The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim] |
| 20335 | The ideal theory of art neglects both the audience and the medium employed [Wollheim] |
| 20340 | A musical performance has virtually the same features as the piece of music [Wollheim] |
| 20341 | An interpretation adds further properties to the generic piece of music [Wollheim] |
| 20332 | A drawing only represents Napoleon if the artist intended it to [Wollheim] |
| 8160 | The present and past exist, but the future does not [Broad, by Dummett] |
| 14609 | We could say present and past exist, but not future, so that each event adds to the total history [Broad] |
| 22933 | We imagine the present as a spotlight, moving across events from past to future [Broad] |