34 ideas
| 20339 | Classes rarely share properties with their members - unlike universals and types [Wollheim] |
| 13437 | A CAR and its major PART can become identical, yet seem to have different properties [Gallois] |
| 16233 | Gallois hoped to clarify identity through time, but seems to make talk of it impossible [Hawley on Gallois] |
| 16025 | If things change they become different - but then no one thing undergoes the change! [Gallois] |
| 16026 | 4D: time is space-like; a thing is its history; past and future are real; or things extend in time [Gallois] |
| 14755 | Gallois is committed to identity with respect to times, and denial of simple identity [Gallois, by Sider] |
| 16231 | Occasional Identity: two objects can be identical at one time, and different at others [Gallois, by Hawley] |
| 16027 | If two things are equal, each side involves a necessity, so the equality is necessary [Gallois] |
| 12790 | Generalisations must be invariant to explain anything [Leuridan] |
| 12789 | Biological functions are explained by disposition, or by causal role [Leuridan] |
| 14388 | Mechanisms must produce macro-level regularities, but that needs micro-level regularities [Leuridan] |
| 14386 | Mechanisms are ontologically dependent on regularities [Leuridan] |
| 12787 | Mechanisms can't explain on their own, as their models rest on pragmatic regularities [Leuridan] |
| 14384 | We can show that regularities and pragmatic laws are more basic than mechanisms [Leuridan] |
| 14389 | There is nothing wrong with an infinite regress of mechanisms and regularities [Leuridan] |
| 20338 | We often treat a type as if it were a sort of token [Wollheim] |
| 20342 | Interpretation is performance for some arts, and critical for all arts [Wollheim] |
| 20343 | A love of nature must precede a love of art [Wollheim] |
| 20348 | A criterion of identity for works of art would be easier than a definition [Wollheim] |
| 20347 | If beauty needs organisation, then totally simple things can't be beautiful [Wollheim] |
| 20345 | Some say art must have verbalisable expression, and others say the opposite! [Wollheim] |
| 20331 | It is claimed that the expressive properties of artworks are non-physical [Wollheim] |
| 20336 | Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim] |
| 20337 | The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim] |
| 20333 | If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim] |
| 20334 | The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim] |
| 20335 | The ideal theory of art neglects both the audience and the medium employed [Wollheim] |
| 20340 | A musical performance has virtually the same features as the piece of music [Wollheim] |
| 20341 | An interpretation adds further properties to the generic piece of music [Wollheim] |
| 20332 | A drawing only represents Napoleon if the artist intended it to [Wollheim] |
| 14387 | Rather than dispositions, functions may be the element that brought a thing into existence [Leuridan] |
| 14382 | Pragmatic laws allow prediction and explanation, to the extent that reality is stable [Leuridan] |
| 14385 | Strict regularities are rarely discovered in life sciences [Leuridan] |
| 14383 | A 'law of nature' is just a regularity, not some entity that causes the regularity [Leuridan] |