42 ideas
| 12223 | It is a fallacy to explain the obscure with the even more obscure [Hale/Wright] |
| 12230 | Singular terms refer if they make certain atomic statements true [Hale/Wright] |
| 10631 | If 'x is heterological' iff it does not apply to itself, then 'heterological' is heterological if it isn't heterological [Hale/Wright] |
| 10624 | The incompletability of formal arithmetic reveals that logic also cannot be completely characterized [Hale/Wright] |
| 8784 | Neo-logicism founds arithmetic on Hume's Principle along with second-order logic [Hale/Wright] |
| 8787 | The Julius Caesar problem asks for a criterion for the concept of a 'number' [Hale/Wright] |
| 10629 | If structures are relative, this undermines truth-value and objectivity [Hale/Wright] |
| 10628 | The structural view of numbers doesn't fit their usage outside arithmetical contexts [Hale/Wright] |
| 8788 | Logicism is only noteworthy if logic has a privileged position in our ontology and epistemology [Hale/Wright] |
| 10622 | The neo-Fregean is more optimistic than Frege about contextual definitions of numbers [Hale/Wright] |
| 8783 | Logicism might also be revived with a quantificational approach, or an abstraction-free approach [Hale/Wright] |
| 12225 | Neo-Fregeanism might be better with truth-makers, rather than quantifier commitment [Hale/Wright] |
| 12224 | Are neo-Fregeans 'maximalists' - that everything which can exist does exist? [Hale/Wright] |
| 12226 | The identity of Pegasus with Pegasus may be true, despite the non-existence [Hale/Wright] |
| 12229 | Maybe we have abundant properties for semantics, and sparse properties for ontology [Hale/Wright] |
| 18443 | A successful predicate guarantees the existence of a property - the way of being it expresses [Hale/Wright] |
| 20339 | Classes rarely share properties with their members - unlike universals and types [Wollheim] |
| 10626 | Objects just are what singular terms refer to [Hale/Wright] |
| 21513 | We can no more expect a precise definition of coherence than we can of the moral ideal [Ewing] |
| 21497 | If undetailed, 'coherence' is just a vague words that covers all possible arguments [Ewing] |
| 20338 | We often treat a type as if it were a sort of token [Wollheim] |
| 10630 | Abstracted objects are not mental creations, but depend on equivalence between given entities [Hale/Wright] |
| 8786 | One first-order abstraction principle is Frege's definition of 'direction' in terms of parallel lines [Hale/Wright] |
| 12227 | Abstractionism needs existential commitment and uniform truth-conditions [Hale/Wright] |
| 12228 | Equivalence abstraction refers to objects otherwise beyond our grasp [Hale/Wright] |
| 12231 | Reference needs truth as well as sense [Hale/Wright] |
| 10627 | Many conceptual truths ('yellow is extended') are not analytic, as derived from logic and definitions [Hale/Wright] |
| 20342 | Interpretation is performance for some arts, and critical for all arts [Wollheim] |
| 20343 | A love of nature must precede a love of art [Wollheim] |
| 20348 | A criterion of identity for works of art would be easier than a definition [Wollheim] |
| 20347 | If beauty needs organisation, then totally simple things can't be beautiful [Wollheim] |
| 20345 | Some say art must have verbalisable expression, and others say the opposite! [Wollheim] |
| 20331 | It is claimed that the expressive properties of artworks are non-physical [Wollheim] |
| 20336 | Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim] |
| 20337 | The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim] |
| 20333 | If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim] |
| 20334 | The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim] |
| 20335 | The ideal theory of art neglects both the audience and the medium employed [Wollheim] |
| 20340 | A musical performance has virtually the same features as the piece of music [Wollheim] |
| 20341 | An interpretation adds further properties to the generic piece of music [Wollheim] |
| 20332 | A drawing only represents Napoleon if the artist intended it to [Wollheim] |
| 18671 | The ground for an attitude is not a thing's 'goodness', but its concrete characteristics [Ewing] |